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PROJECT ARTOTEKA

PROJECT ARTOTEKA THE MODERN WAY OF DIGITIZATION, INVENTORIZATION AND POPULARIZATION OF CONTEMPORARY VISUAL AND INTERMEDIA ART. Tanja Čajavec, Primož Skočir, Franc Dolenc in Gregor Vidmar. The Sixth SEEDI Conference Digitization of Cultural and Scientific Heritage Zagreb, Republic of Croatia

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PROJECT ARTOTEKA

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  1. PROJECT ARTOTEKA THE MODERN WAY OF DIGITIZATION, INVENTORIZATION AND POPULARIZATION OF CONTEMPORARY VISUAL AND INTERMEDIA ART Tanja Čajavec, Primož Skočir, Franc Dolenc in Gregor Vidmar The Sixth SEEDI ConferenceDigitization of Cultural and Scientific Heritage Zagreb, Republic of Croatia 18th – 20th May 2011

  2. WHY ARTOTEKA? • ART needs its own WORLD OF ART • WORLD OF ART consists of: • CREATORS, • ART PRODUCTION, • MEDIA, and • USERS • ARTOTEKA is a digital world that cannot exist without an optimized business system, digitized resources and users! 2

  3. How can we provide information and ensure accessibility? Z ODPRIM DEPOJEM • THROUGH AN OPEN DEPOT • THROUGH LEGAL AND PROFESSIONAL SUPPORT • THROUGH DIGITIZED PRODUCTION • THROUGH SAFE STORAGE OF ORIGINALLY DIGITAL AND DIGITIZED ART PRODUCTION • THROUGH AN INTERDISCIPLINARY APPROACH • THROUGH THE POSSIBILITY OF INDIVIDUALLY SELECTING CONTENT ON THE USER’S OWN DEVICE • THROUGH E-STORAGE • ……………………………………through ARTOTEKA 2

  4. ARTOTEKA … THE SUM OF GOOD PRACTICES • If contemporary VISUAL and MULTIMEDIA (ViMu) production is: • NOT evaluated • NOT inventorized • NOT digitized • NOT promoted • We will NOT be able to discuss it 25, or more years from now • ARTOTEKA IS THE SUM OF: • OPEN DEPOT (MUSEUMS) • E-STORAGE (ARCHIVES) • Since it STUDIES, RESEARCHES, MUSEALIZES, POPULARIZES and ENABLES A VIRTUAL ViMu MARKET 2

  5. ViMu in Slovenia? In Slovenia We … • HAVE a rich practice of ViMu • DON’T HAVE a cultural marketplace for it • HAVE a need of a secure buying and selling market for the trade of art • DON’T HAVE an established e-market of ViMu • HAVE experts in the fields of heritage, informatization, management and economics • DON’T HAVE in place a system of musealization and e-storage of contemporary ViMu productions 2

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  7. MOST IMPORTANT FUNCTIONS OF ARTOTEKA INVENTORIZATION classification, defined metadata, and e-storage approaches DOCUMENTATION capturing procedures (2D, 3D, AV, and MM digitization) DISSEMINATION OF INFORMATION processes of INFORMING, COMMUNICATION, and INTERACTION 2

  8. INVENTORIZATION • Inventorizationcanbe done in accordancewith: • Contemporarymuseumpractice, • as advocatedby ICOM (OBJECT ID) • modern archivalpracticeandstandardsof OASIS andthecurrentSlovenian uniform technologicalregulationsforarchivingandstorage, UTR 2.0, whichadhere to it, and • the ESE and EDM guidelines of • Europeana

  9. DOCUMENTATION • The proposed Artoteka is A DIGITIZED REGISTER (E-REGISTER) Dedicated to the musealization of contemporary ViMu and the promotion of Slovenia in Europe and worldwide, which will, among other things, draw information from various databases. • Example 1: DCA • Example 2: Digital Library of Slovenia • d.Lib.si

  10. Example 3: THE 3D DIGITIZATION AND VISUALIZATION OF MUSEUM OBJECTS • EXAMPLE 3.1. VIRTUAL EMONA

  11. EXAMPLE 3. 2. THE 3D DIGITIZATION AND VISUALIZATION OF THE VAČE SITULA in cooperation with wanted to use this Slovenian cultural monument – the priceless Vače situla, to show: • WHAT MODERN TECHNOLOGY ALLOWS US TO DO • HOW TO SAFELY DIGITIZE MUSEUM OBJECTS • THE ECONOMIC JUSTIFICATION OF 3D CAPTURE AND VISUALIZATION • THE ADDED VALUE OF MODERN ICT AND OTHER CAPTURE TECHNOLOGY FOR THE PROTECTION, PRESERVATION, RESEARCH AND PROMOTION OF CH 2

  12. IN THE COURSE OF THE PROJECT CARRIED OUT: • 3D capture • of the shape and texture of • the situla using the • WHITE LIGHT 3D • scanning method • 3D image • of the situla and its details with expert descriptions • 3D animation • to show certain facts about the situla based on professional interpretation • 3D stereoscopic animation • for viewing the situla with 3D glasses and controlling it remotely 2

  13. 3D scanogram details without texture data 2

  14. Visualization 3D image of the situla, made with the torevtika* technique, and scenes with descriptions *Torevtika is the technique of cutting and stamping metals 2

  15. 3D animation based on professional interpretation 2

  16. 3D animation based on professional interpretation 2

  17. 3D stereoscopic animation with the possibility of remotely controlling the object 2

  18. Do you know where the symbol on the Slovenian Identity Card is from? If you don’t know, take a look at the 3d scan of the Vače situla 2

  19. Example 3.b. FOUR OF NIKOLA TESLA’S OBJECTS • In 2010, as a trial, the MFC.2 R&D Department in collaboration with the NIKOLA TESLA MUSEUM, performed the digital capture (3d scanning) of four items that belonged to Nikola Tesla housed in the museum. • http://tesla-museum.org/

  20. DISSEMINATION OF INFORMATION • ARTOTEKA must combine: • cutting edge ICT solutions, • marketing approaches, and • the needs of artists and users. • Is a multi-layered project, made up of • A contemporary INTERACTIVE TV, • A User Interface and • An "E-STORAGE" archive of digital content. • Example of the Nikola Tesla Theme Park • http://www.mcnikolatesla.hr/hrvatski.html

  21. Examples of Good Practices • VIMINACIUM, http://www.viminacium.org.rs/index_html?language=srpski • MUSEUM OF "SARAJEVO 1878th-1918th, http://h.etf.unsa.ba/vmuzej-atentata/index_e.htm • KRAPINA NEANDERTHAL MUSEUM as part of the MUSEUMS OF ZAGORJE IN CROATIA • The Ce-NOB project as part of the activities of the CELJE CONTEMPORARY HISTORY MUESUM Source: http://www.muzej-nz-ce.si/

  22. ARTOTEKA and INTERACTIVE TV • An average user spedns more • than one hour a day watching TV, • or using their PC, ... • The new generation multimedia mobile devices (iPhone,iPad, Android,…) will even further increase this • The TV User Experience is the absolute winner • Getting “Eyeball” time from viewers is a great challenge! 2

  23. What is Interactive TV? • Combines • the TV user experience • interactivity of Web services, and • universal accessibility = “Over the Top TV” + user-friendly accessibility to TV-quality content on the web 2

  24. Example: Central Library of Kranj • Interactive TV pilot project, which allows for the storage of different types of content and media in central storage and the user-friendly interactive distribution to different devices: iPad, Android, PC, TV • Professional “BackOffice” and friendly “FrontOffice” 2

  25. Internet Collaboration and Videoconferencing Video and Graphics Production The Complete Architecture of ARTOTEKA Live Studio Playout Management Web Portal LAN, Intranet VideoOnDemand Transcoding Segmenting Documents on Demand Timeshift CatchUp VideoBookmarks Storage and Encoding Internet Live Streaming Content Management External Sources Multimedia Clients 2

  26. Through the proposed project • We are setting up a support system for all the actors in the field of fine art, and wish to create: • a publically accessible, • safe, • user-friendly interactive • environment in the form of a, • as yet, non-existent ViMu WORLD – ARTOTEKA • Installation The Fountain of Vow, • nora.desaintpicman@g​mail.com 2

  27. Moving Forward...? We Must • BRING TOGETHER ALL INTERESTED PARTIES • SET UP A SYSTEM (in terms of content, technology, ...) • DETERMINE THE RULES OF COLLABORATION • WORK IN ACCORDANCE WITH THE LEGAL AND PROFESSIONAL GUIDELINES • CREATE ARTOTEKA … Therefore, you are invited to join us! 2

  28. Thank you! • TSE d.o.o., audio video inženiring, Ljubljana, Tržaška cesta 126 • 1000 Ljubljana • Tanja Čajavec • tanja.cajavec@tse.si • And PARTNERS: 2

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