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Sceneggiatura Audiovisiva (S-7)

Learn the essential skill of pitching in the film industry, refine your story ideas, and captivate producers with your narrative. Discover the importance of selling ideas effectively and refining your outline to create compelling pitches that showcase your passion for storytelling.

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Sceneggiatura Audiovisiva (S-7)

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  1. Sceneggiatura Audiovisiva (S-7) “Spiritus intus alit” (Lo spirito alimenta dall’interno) VIRGILIO (Eneide, VI, 726)

  2. Guión Audiovisual “No se escribeparadeciralgo. Se escribeporque se tienealgoquedecir”. Francis S. FITZGERALD

  3. t-7: Il “pitch”[Russin & Downs] ~~ “Pitching” means going to producer’s office and telling them a story idea you hope they’ll buy. It’s selling ideas rather than scripts. If the producer likes an idea, she might buy it and hire you to write it. Pitching is a common way to get a job in television, but it only accounts for abour 12% of movie sales.

  4. t-7: Il “pitch”[Russin & Downs] ~~ Two Schools on “Pitching”: 1-- it’s a worthless waste of time and energy that could be better spent actually writing a script, instead of talking about what you’d like to write. 2-- is an essential way to try to sell more story ideas than you’d ever have time to sit down and actually spec.

  5. t-7: Il “pitch”[Russin & Downs] ~~ Pitching is a great way to refine your outline: -- you may find that you never seem to raccount scenes or whole sections. -- you may discover that you need to know more about your story’s world. -- When you tell someone a story, character motivations and their absence become more obvious. -- A good producer or executive will often ask hard questions that you may not have thougth about.

  6. t-7: Il “pitch”[Russin & Downs] ~~ The worst waste of time for a screenwriter is writing a screenplay no one wants. ~~ There’s an old expression wich goes, “If everyone tells you you’re drunk, you’re drunk”.

  7. t-7: Il “pitch”[Russin & Downs] - THE SHORT PITCH ~~ A short pitch clocks in at no more than ten minutes. ~~ Producers and executives take pitches because they want to know what your story is and anything you can do to help them follow the narrative is a good thing. -- Tell them what genre it’s in, and perhaps identify a couple of other (successful) films that it might resemble. .../...

  8. t-7: Il “pitch”[Russin & Downs] - THE SHORT PITCH ~~ Then go into a brief, visual description of your exciting hero, antagonist and central conflict. [It’s OK to refer to major stars whom you think might be perfect for the role]. ~~ Then outline the general course of the story, stopping to highlight two or three more of your most exciting scenes with a brief, visual description. ~~ When you pitch a story you should be passionate. It’s a performance.

  9. THE EXAMINATION PITCH • EACH GROUP: 20 MIN. TO PITCH THE STORY • THE TITLE & THEMATIC PREMISE -- (02’) • THE CHARACTERS –- (03’) • THE PLOT (3 OR 5 ACTS) –- (10’) • THE VALUES AT STAKE –- (02’) • THE PROMOTIONAL POSTER –- (03’)

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