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Digitale medier: formidling og design

Digitale medier: formidling og design. 22. marts Filmanalyse. Program. Motivation Lidt filmhistorie Filmanalyse. Hvorfor levende billeder?. For at beskæftige os med andet end tekst

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Digitale medier: formidling og design

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  1. Digitale medier: formidling og design 22. marts Filmanalyse

  2. Program • Motivation • Lidt filmhistorie • Filmanalyse

  3. Hvorfor levende billeder? • For at beskæftige os med andet end tekst • Fordi filmens virkemidler ligner tv, animation, computerspil i kraft af, at de er audiovisuelle forløb – filmen var der bare først • Fordi film er en dyr og kollektiv kunstart

  4. Levende billeder • 22 March 1895: First demonstration to industry by Lumière brothers in Paris • 28 December 1895: First public showing at the Grand Café, Boulevard des Capucines • Kort efter i resten af Europa, USA, Indien

  5. Den klassiske opdeling i ’supergenrer’ (Metz) • Lumière brødrene: Dokumentarfilmens fædrehttp://www.institut-lumiere.org/francais/patrimoinelumiere/premiereseance.html • Georges Méliès: Fiktionsfilmens farhttp://www.mshepley.btinternet.co.uk/melies3.htm

  6. Fortælleformer • Lineær fortælling (Hollywoodmodellen) • Russisk formalisme (Todorov) • fabula (story) • suzhyet (plot) • Cirkulær/lyrisk fortælling • Musikvideo

  7. Filmbegreber • Beskæring: Supertotal, total, halvtotal, halvnær, nær, supernær • Perspektiv: Vidvinkel, normal, tele, frø, fugl • Bevægelse: Panorering, tilt, kran/dolly • Lyd • Reallyd/diegetisk lyd (replikker + incidentallyd) • ikke-diegetisk lyd (f.eks. musik) • on-screen/off-screen

  8. Klip (montage) • Continuity (usynlige overgange, eks. match cut) • Krydsklipning (f.eks. mellem flygtende og forfølgere) • Shot-reverse-shot (bruges typisk ved samtale) • 180-graders reglen

  9. Mise-en-scène • Setting • Kostumer og makeup • Lyssætning

  10. Berettermodellen

  11. Ekstern analyse • Genre • Biografisk analyse • Psykoanalyse • Auteur • Filmhistorie • Kulturhistorie • Tvær-medialitet • Socialhistorie

  12. Fiktionsgenrer • Western • Road movie • Gyser • Dansk lystspil • Ny dansk film?

  13. Manovich: Digital cinema • ”Cinema emerged out of the same impulse which engendered naturalism, court stenography and wax museums. Cinema is the art of the index; it is an attempt to make art out of a footprint”

  14. Manovich: Digital cinema • digital film = live action material + painting + image processing + compositing + 2-D computer animation + 3-D computer animation • Digital cinema is a particular case of animation which uses live action footage as one of its many elements

  15. Konklusion? • Vi er altså på 100 år gået fra animation (Méliès) over live action tilbage til animation (Computer Generated Images)

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