1 / 18

Mannerism (1520-1600)

Mannerism (1520-1600). Background. Late Renaissance [Pre-Baroque]. Art was at an impasse after the perfection and harmony of the Renaissance. Antithetical to the principles of the High Renaissance. From the Italian de maneria .

uma-ashley
Télécharger la présentation

Mannerism (1520-1600)

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Mannerism (1520-1600)

  2. Background • Late Renaissance [Pre-Baroque]. • Art was at an impasse after the perfection and harmony of the Renaissance. • Antithetical to the principles of the High Renaissance. • From the Italian de maneria. • A work of art done in the artist’s characteristic “touch” or recognizable “manner.” • First used by the German art historian, Heinrich Wölfflin in the early 20c. • Influenced by Michelangelo’s later works.

  3. Michelangelo • “Sistine Chapel” • 1508-1512

  4. Sistine Chapel: Last Judgment

  5. Characteristics • Replace… • Harmony with dissonance & discord. • Reason with emotion. • Reality with imagination. • Create instability instead of equilibrium. • Bodies are distorted. • Colors are lurid. • Pictoral space is crowded. • A void in the center. • Hanging figures.

  6. Titian , Venus of Urbino, 1538 ?

  7. Parmigianino • “Madonna with the Long Neck” • 1535-1540

  8. Details: Madonna w/the Long Neck

  9. El Greco • “The Resurrection” • c.1597-1604 • An attempt to express the religious tensions of the times.

  10. El Greco • “Burial of Count Orgaz” • 1586

  11. Giorgione • “The Tempest” • 1510

  12. Tintoretto • “The Last Supper” (1594)

  13. The Last Supper: Mannerism vs. High Renaissance

  14. Characteristics of Mannerist Architecture • Stylishness in design could be applied to a building as well as to a painting. • Showed extensive knowledge of Roman architectural style. • Complex, out of step style  taking “liberties” with classical architecture. • Architecture, sculpture, and walled gardens were seen as a complex, but not necessary unified whole.

  15. Villa Capra[or Villa Rotunda] • By AndreaPalladio • 1566-1571 • “Palladian” architectural style [popular in England]

  16. Entrance to the Villa Farnese at Caprarola • By Giacomo Vignola • 1560

  17. The Fontainebleau School • French Mannerism  flourished from 1531 to the early 17c. • Characteristics: • Extensive use of stucco in moldings & picture frames. • Frescoes. • An elaborate [often mysterious] system of allegories and mythical iconography. • Centered around the Royal Chateau of Fontainebleau.

  18. The Royal Chateau at Fontainebleau • Gallery [right] by Rosso Fiorentino & Francesco Primaticcio • 1528-1537

More Related