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The Post-Cinematic

The Post-Cinematic. Shaviro on Southland tales. Cinema volgens Deleuze. Drie regimes of the Image: the Movement Image, the Time image en the Neuro image Patricia Pisters en Steven Shaviro onderzoeken the Neuro image, the post cinematic experience ofwel cinema in the digital age. .

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The Post-Cinematic

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  1. The Post-Cinematic Shaviro on Southland tales

  2. Cinema volgensDeleuze • Drie regimes of the Image: the Movement Image, the Time image en the Neuro image • Patricia Pisters en Steven Shaviroonderzoeken the Neuro image, the post cinematic experience ofwel cinema in the digital age.

  3. Shaviro: Films as machines for generating affect Films in the postcinematicdraaiennietmeerom het maken van tijd en ruimte maar zoekenuitwat het digitalekandoen: • Shaviroonderzoektbeeld en geluid: “In any case, this is yet another sense in which Southland Tales is resolutely post-cinematic. Its use of sound is much closer to that of television and music video than it is to that of anything recognizable in the history of cinema”. • Maar nietalleen sound and image, allesgebeurttegelijkertijd. Chion: visual polyphony. • Dus the digital nietmeerals special effect maar alsdragendekrachtvan de film. Ander voorbeeld: the butterfly effect. http://www.youtube.com/watch?v=1FYWJgxST7I

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