Foundations of Art and Design

1. Foundations of Art and Design Chapter 11: Balance and Rhythm

2. Fig. 11.1 Doryphoros by Polykleitos of Argos

3. Fig. 11.1 Doryphoros by Polykleitos of Argos demonstrates a weight shift depicting: • Actual Balance • Compositional Balance • Symmetry • Asymmetry Fig. 11.1 Doryphoros by Polykleitos of Argos

4. Fig. 11.2 Emile d’Erlanger, La Baronne by Romaine Brooks

5. The composition of Fig. 11.2 Emile d’Erlanger, La Baronne by Romaine Brooks utilizes: • Horizontal Balance • Vertical Balance • Diagonal Balance • Radial Balance Fig. 11.2 Emile d’Erlanger, La Baronne by Romaine Brooks

6. Fig. 11.3 I Saw Three Cities by Kay Sage

7. Fig. 11.3 I Saw Three Cities by Kay Sage is used as an example of: • Horizontal Balance • Vertical Balance • Diagonal Balance • Radial Balance Fig. 11.3 I Saw Three Cities by Kay Sage

8. Fig. 11.4 London Portrait by Adil Jain

9. Fig. 11.4 London Portrait by Adil Jain is an example of: • Horizontal Balance • Vertical Balance • Diagonal Balance • Radial Balance Fig. 11.4 London Portrait by Adil Jain

10. Fig. 11.6 The Great Ladies Transforming Themselves into Butterflies by Judy Chicago

11. Fig. 11.6 The Great Ladies Transforming Themselves into Butterflies by Judy Chicago demonstrates the use of: • Horizontal Balance • Vertical Balance • Diagonal Balance • Radial Balance Fig. 11.6 The Great Ladies Transforming Themselves into Butterflies by Judy Chicago

12. Types of Balance Fig. 11.10 Four Quad Cinema by Philip Taaffe

13. Types of Balance Fig. 11.10 Four Quad Cinema by Philip Taaffe is an example of: • Symmetry • Bilateral Symmetry • Approximate Symmetry Fig. 11.10 Four Quad Cinema by Philip Taaffe

14. Approximate Symmetry In Fig. 11.14 Mestizo by Cesar Martinez

15. Approximate Symmetry In Fig. 11.14 Mestizo, Cesar Martinez uses approximate symmetry for: • Symbolic reasons • Compositional reasons • Both of these • Neither of these In Fig. 11.14 Mestizo by Cesar Martinez

16. Fig. 11.15 Pedestrian’s Foot by Otto Steinert

17. Fig. 11.15 Pedestrian’s Foot by Otto Steinert demonstrates the use of: • Symmetrical Balance • Asymmetrical Balance • Diagonal Balance • Radial Balance Fig. 11.15 Pedestrian’s Foot by Otto Steinert

18. Achieving Balance in Asymmetry Fig. 11.22 Verde by Deborah Butterfield

19. Achieving Balance in Asymmetry Ways to achieve Balance in Asymmetry include using: • High Value and Color Contrast • Shape and Texture • Position • All of these Fig. 11.22 Verde by Deborah Butterfield

20. Allover Pattern Fig. 11.23 Double Wedding Ring by Emma Hall

21. When a composition is balanced in that there is equal visual weight in every part of the work this is referred to as: • Symmetrical balance • Asymmetrical balance • Allover Pattern • Rhythm Fig. 11.23 Double Wedding Ring by Emma Hall

22. Fig. 11.25 Death of a Loyalist Soldier by Robert Capa

23. Fig. 11.25 Death of a Loyalist Soldier by Robert Capa demonstrates the use of: • Symmetry • Asymmetry • Allover Pattern • Imbalance Fig. 11.25 Death of a Loyalist Soldier by Robert Capa

24. Types of Rhythm Fig. 11.29 North Artillery Shed by Donald Judd

25. Types of Rhythm Fig. 11.29 North Artillery Shed by Donald Judd demonstrates • Regular Repetition • Alternating Rhythm • Progressive Rhythm • None of these Fig. 11.29 North Artillery Shed by Donald Judd

26. Fig. 11.30 Untitled by DingYi

27. Fig. 11.30 Untitled by DingYi utilizes different elements which repeat themselves in a predictable order. This is an example of: • Regular Repetition • Alternating Rhythm • Progressive Rhythm • None of these Fig. 11.30 Untitled by DingYi

28. Fig. 11.32 A207 Recall by Jackie Ferrara

29. When the rhythm of a piece seems to increase as in Fig. 11.32 A207 Recall by Jackie Ferrara it is called: • Regular Repetition • Alternating Rhythm • Progressive Rhythm • None of these Fig. 11.32 A207 Recall by Jackie Ferrara