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Mel Medina Senior Product Marketing Manager Professional Video Broadcast Production Systems Division Sony Electronics

Mel Medina Senior Product Marketing Manager Professional Video Broadcast Production Systems Division Sony Electronics. What is HDV?.

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Mel Medina Senior Product Marketing Manager Professional Video Broadcast Production Systems Division Sony Electronics

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  1. Mel Medina Senior Product Marketing Manager Professional Video Broadcast Production Systems Division Sony Electronics

  2. What is HDV? • HDV is a new video format that records High Definition pictures onto a standard DV tape media,offering significant enhancements over the DV format on which it is based. • HDV is a convenient and cost-effective step up to the benefits of High Definition acquisition, providing an ideal migration path from DVCAM for videographers, independent film- makers, corporate and other professional users. • Offering simple connectivity via i. LINK, HDV is the perfect partner for a variety of PC-based non-linear editing solutions from Sony and other vendors.

  3. HDV Format DVCAM HDCAM 720 mode 1080 mode Video Video signal 576/50i (PAL) 480/60i (NTSC) 720/25p, 720/50p 720/30p, 720/60p 1080/50i 1080/60i 1080/50i 1080/59.94i, 1080/60i,1080/23.976p, 1080/24p,1080/25p 1080/29.97p, 1080/30p Number of Pixels Acquired 720 x 576 (PAL) 720 x 480 (NTSC) 1280 x 720 1440 x 1080 1920 x 1080 Aspect Ratio 4:3 16:9 16:9 Compression DV (Intra-frame) MPEG2 MP@ H-14 (Inter-frame) HDCAM (Intra-frame) Sampling Freq. (Y) 13.5 MHz 74.25 MHz 55.6875 MHz 74.25 MHz Sampling Format 4:2:0 (PAL) / 4:1:1 (NTSC) 4:2:0 4:2:2 Quantization 8 bit 8 bit 10 bit * Recording Bit Rate Approx. 25 Mbps Approx. 19 Mbps Approx. 25 Mbps Approx. 144 Mbps Audio Compression ----- MPEG1 Audio Layer II ----- Sampling Freq. 48 kHz / 44.1kHz / 32 kHz 48 kHz 48 kHz Quantization 16 bit / 12 bit 16 bit 20 bit Recording Bit Rate 1.5 Mbps 384 kbps Audio Mode 2 Channels / 4 Channels 2 Channels 4 Channels System Cassette Standard DV (Standard / Mini) DV (Standard / Mini) HDCAM Stream Interface IEEE1394 (DV) IEEE1394 (MPEG-TS) SDTI * For Input/Output HDV – Format Comparison

  4. ATSC DTV Standards

  5. HDV – Format Positioning • What is Sony HDV? • Sony HDV camcorders and VTRs record 1080 line resolution. They feature an on-board downconverter, allowing output of either HD or SD signals for seamless integration into any existing production infrastructure. • Sony is able to offer HDV/DVCAM/DV recording and playback on the same HDV camcorder or VTR. • The size and weight is comparable with DVCAM, making Sony HDV products compact and easy to use.

  6. HDV – Format Positioning • Entry level HD (High Definition) solution • HDV format is positioned different from (lower than) HDCAM • Picture Quality, Performance, Price range • Easy to incorporate HDV into an HDCAM environment via an external converter. • HD quality as added value ontocurrent DVCAM • HDV products are positioned as the top end of the current DVCAM line-up • SD to HD easy migration is offered with sufficient flexibilities • HDV / DVCAM / DV switchable recording • Built-in down conversion from HD to SD • Utilizes existing DV cassette media • Utilizes existing i.LINK (IEEE1394) based infrastructure

  7. Model HDV DVCAM HDCAM Sony DSR-PD170 JVC JY-HD10 Sony HDV Camcorder * Sony HDW-730S Recording Format DVCAM / DV HDV / DV HDV / DVCAM / DV HDCAM Recording Mode 480/60i 720/30p 480/60p, 480/30i 1080/60i, 1080/50i 480/60i, 576/50i 1080/50i 1080/59.94i, 1080/60i CCD 1/3” 3x CCD 1/3” 1x CCD 1/3” 3x Super HAD CCD 2/3” 3x Power HAD CCD Zoom Lens Fixed Fixed Fixed Changeable LCD Monitor 2.5” Color (4:3) 3.5” Color (4:3) 3.5” Color (16:9) ----- Viewfinder LCD (4:3) LCD (4:3) LCD (16:9) 2.0” CRT (16:9) Video Interface i.LINK Y/C, Composite i.LINK, USB Component Y/C, Composite i.LINK Component Y/C, Composite HD-SDI SD-SDI (option) Composite (option) Gen Lock, TC In/Out No No No Yes Recording Time Max 60 min (DV) Max 60 min (HDV) Max 60 min (HDV,DV) Max 48 min Dimensions (WxHxD) 136 x 180 x 456 mm 114.5 x 99 x 271.5 mm 155 x 195 x 365 mm 127 x 206 x 308 mm Weight 1,500 g 1,270 g 2,100 g 3,700 g SRP $3,940.00 $5,000 (Estimate) Less than $6,000.00 $48,000.00 * Tentative spec HDV – Product Comparison

  8. HDV – NLE Partners • Vegas (SPDM) • Avid • Adobe • Apple • Pinnacle • Canopus • Ulead • Sobey

  9. Professional HDV Camcorder • World’s First 1080i HDV 3CCD Camcorder • Three 1/3" 16:9 newly developed Super HAD™ CCD Imagers, 1.12M Pixels Gross • High quality 12X Optical Zoom Carl Zeiss® Vario-Sonnar® T* Lens • 14 Bit DXP (Digital Extended Processor) combines 14 bit A/D converter with an advanced camera processing system • HDV 1080 60i/50i 30fps, 25fps, 24fps w/2:3 pulldown recording capability • Switchable HDV/DVCAM/DV Format Recording • 3.5” 16:9 Hybrid LCD Display (250K Pixels) • Large 16:9 Color & B/W switchable EVF • Balanced Audio XLR input connectors (x2) w/Selectable 48V Phantom Power

  10. MPEG Real Time Encode System CinemaTone Gamma & CineFrame Super HAD CCD 14bit HD DXP Picture Profile Shot Transition High Quality Lens Wide LCD Panel Many Newly Developed Devices & Features

  11. MPEG2 Long time… DV Tape High-Definition movies Real-time process Large signal processing circuit MPEG2 Real Time Encode System MPEG Real Time Encode System

  12. Three 1/3” Super HAD TM CCDs • Aspect: 16:9 • Total pixels: approx. 1.12M pixels • Effective pixels:　approx. 1.04M pixels • Minimum Illumination:　3 lux • Interlace scan Super HAD CCD 3CCD Camera System

  13. 14bit A/D Converter 14bit HD DXP 14bit HD DXP *Digital Extended Processor Advanced Camera Processing + = Processing of large HD data Precise picture realization

  14. Carl Zeiss Lens Vario-Sonnar T* Wide Angle Lens 32.5-390mm (16:9)*35mm equivalent Super Steady Shot (Optical Image Stabilizer) x12 Optical Zoom Non-perpetual Zoom Ring 72mm Filter Diameter High Quality Lens

  15. 3.5” 16:9 Hybrid LCD Panel Size：3.5 inch(16:9), 2.9 inch (4:3) Pixels：approx. 250K1120(H)×225(V)

  16. Large 16:9 EVF Large Eye Cup (Supplied Accessories) LCD Panel 0.44 inch EVF Color and B/W Selectable Simultaneous use of LCD & EVF

  17. High Quality Audio System • Stereo Microphone • Wide Range Stereo Microphone • Reduction of wind and mechanical noise with new digital processing circuit Stereo Microphone • XLR Audio Connectors • Audio features such as Rec Channel Select and Input Level are adjusted by menu. XLR audio Connectors

  18. Selection of three formats Selectable HD/SD REC & PLAY

  19. 60Hz (NTSC) Mode 50Hz (PAL) Mode 1080/60i 1080/50i HDV HDV 480/60i 576/50i DVCAM / DV DVCAM / DV 60i/50i Switchable

  20. Down Conversion System 60Hz (NTSC) Mode HD SD *Only play back for JVC 720/30p 50Hz (PAL) Mode HD SD

  21. DV Wide Precision! HVR-Z1U DSR-PD170 960 dots 1440 dots 960 dots 720 Down Convert Amplify 480 dots 1080 dots 480 dots 480 dots CCD DV Wide CCD DV Wide 360dots Precision 16:9 SD Recording

  22. Solutions for SD Operation Down Conversion from HD to SD DVCAM / DV(SP) Rec & Play Precision 16:9 SD Recording SD HD

  23. New & Advanced Features HVR-Z1U Camcorder

  24. Shot B Shot A Shot B NEW Shot Transition™ Automatic transition

  25. Store Shot A Shot A Store Shot B Shot B Shot A Shot B Shot Transition™ How to use Shot Transition Button and Check the status Execute!

  26. Shot B Shot A Shot B Shot Transition™

  27. Parameters: Zoom SOFT STOP SOFT TRANSITION LINEAR Gain Shot B Focus Shot B Shot B Parameter Level Parameter Level Parameter Level Iris White Balance Shot A Shot A Shot A Shutter Speed Transition of Time Transition of Time Transition of Time Shot Transition™ Transition Type: Transition Time: 2～15 Sec

  28. The advanced feature of “Custom Preset”. In addition to the CP items … AWB Sensitivity Color Phase Cinematone Gamma Skintone Detail Cineframe Auto Iris Limit ADVANCED Picture Profile™

  29. Default Settings: *PP=Picture Profile PP1 PP2 for HDV format for DV format PP3 PP4 for portrait for cine-like picture PP5 PP6 for black & white for sunset Picture Profile™

  30. AE OVERRIDE HYPER GAIN STEADY SHOT REC REVIEW FADER Display MARKER WB OUTDOOR LV + BACK LGHT Color Bars ALLSCAN MODE SPOTLIGHT WB OUTDOOR LV - NEW Assign Buttons 6 user assignable buttons for quick access to frequently used functions. INDEX MARK AUDIO DUB

  31. IRIS Dial IRIS Dial IRIS Button ADVANCED Manual Iris • Aperture can be adjusted by rotating the new IRIS dial. F1.6～F11 (24 steps) IRIS Dial Rotation Direction

  32. ADVANCED Manual Gain • Several gain levels can be selected from GAIN switch, by assigning each level in advance. Gain Button GAIN switch (H/M/L) Three positions H(18dB) / M(9dB) / L(0dB) *default settings 0/3/6/9/12/15/18dB are available

  33. White Balance Switch White Balance Button ADVANCED Manual White Balance WB Preset： 3 sets of preset white balance values can be selected according to the light of the recording scene. [OUTDOOR] 5800K [INTDOOR] 3200K [MANUAL] 3200-7500K

  34. NEW Expanded Focus • Focus can be easily confirmed during manual focusing -The center of the screen is magnified by approximately two times. -Only pictures of LCD & VF are magnified. Expanded Focus Button LCD & VF LCD & VF

  35. PeakingSwitch NEW Peaking Peaking OFF Peaking ON

  36. ADVANCED Zebra Indicator [100+] -Appears in all areas of brightness signal over 100 %. [70]～[100] -Appears in areas within ±5% Ex. 70%→65～75%

  37. Audio Setup Output Setup Assign Button Status Picture Profile Setup NEW Status Check • The setup value of the following items can be checked in the standby mode or during recording:

  38. P. Menu Button NEW Personal Menu • Frequently used menu items can be quickly accessed from “Personal Menu” Menu items of the user’s choice can be assigned to “Personal Menu”.

  39. Display / Batt Info Button NEW Battery Info • The battery’s current charge level and its current remaining recording time can be checked when the power is turned off.

  40. Beyond just “24” Sony HDV

  41. Output Output Input Input Cinematone Gamma 2 Cinematone Gamma 1 NEW CinemaTone™ Cinematone Gamma 1 Cinematone Gamma 2 OFF (Video Gamma)

  42. Gamma 1 Gamma 2 OFF NEW CinemaTone™

  43. Gamma 1 OFF Gamma 2 NEW CinemaTone™

  44. NEW CineFrame™ 60Hz (NT) mode 50Hz (PL) mode CineFrame24 CineFrame25 OFF (50i) CineFrame30 All modes are created from 50i picture, not 25p. OFF (60i) All modes are created from 60i picture, not 24p.

  45. CineFrame24 CineFrame30 OFF (60i) 9 Combinations CinemaTone Gamma CineFrame CinemaTone Gamma 1 CinemaTone Gamma 2 OFF (Video Gamma) 9 Patterns * At the 60i Mode

  46. BEYOND 24… Cinema-like Pictures CineFrameTM + CinemaTone GammaTM

  47. Major Advantages over Consumer Camcorder • 60i / 50i switchable • Color Equalizer feature • HDV / DVCAM / DV record capability • Two XLR connectors with switchable 48V phantom power • Independent audio REC levels • Timecode w/User Bit function – PRESET, FREE RUN, REC RUN, REGEN, DF, NDF

  48. Major Advantages over Consumer Camcorder (Cont.) • 6 User assignable buttons • B/W & color selectable EVF • Simultaneous use of EVF and LCD • ALL SCAN mode • AE OVERRIDE feature • BLACK STRETCH • Selectable SETUP levels

  49. Major Advantages over Consumer Camcorder (Cont.) • Microphone settings: • Independent WIND NOISE On/Off • Selectable internal stereo mic sensitivity • Independent channel selection for XLRs • Independent channel AGC On/Off • Independent MIC/LINE selection of XLRs • Independent channel selection o trim levels

  50. Major Advantages over Consumer Camcorder (Cont.) • 4:3 output • Squeeze • Letterbox • Edgecrop • 4:3 viewfinder marker • Safety Zone display • AF Assist function • External REC control

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