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This review delves into the transformation of art from the Middle Ages through the Renaissance to Romanticism. We explore the influence of Mannerism in the late Italian High Renaissance (circa 1520-1580) and its reflection in the works of artists like Jacopo Tintoretto and Lorenzo Bernini. The review emphasizes the Baroque period (16th-18th centuries) as a response to the Catholic Counter-Reformation, showcasing how classical elements were reinterpreted. Additionally, it discusses the ornate Rococo style, Neoclassicism of the late 18th to 19th centuries, and the emotive power of Romanticism, highlighting key figures like Jacques-Louis David and Caspar David Friedrich.
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Mannerism • Period of the late Italian High Renaissance (circa 1520-1580 in Italy, into the 17th century in northern Europe) • Extension/reaction to the forms of the earlier Renaissance artists Jacopo Tintoretto's Last Supper
Baroque • 16th-18th centuries • “Art of the Catholic Counter-Reformation” Lorenzo Bernini Peter Paul Reubens
Classicism • Re-emphasis on classical forms • Jean Racine—French Classicist author Bernini…again
Rococo • Developed out of Baroque art, but more ornate and bold with use of colors • 18th century
Neoclassicism • Mid-18th-19th centuries • Following the “classical” models Royal Scottish Academy Jacques-Louis David
Romanticism • Romantic music—Beethoven, Mozart Caspar David Friedrich, Wanderer above the Sea of Fog,
