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This article delves into the vibrant world of independent cinema, contrasting it with mainstream blockbusters such as "Pretty Woman" and "Working Girls." It discusses the challenges indie films face, including limited budgets, lower commercial quotients, and distribution hurdles. Highlighting influential filmmakers like John Sayles and Kevin Smith, it also explores the opportunities provided by film festivals and the rise of digital platforms, which enable indie films to reach wider audiences. Discover how indies carve out unique narratives outside the confines of studios.
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independent movies alternatives to the blockbuster
compare, contrast • Pretty Woman, Working Girls • Born in East LA, El Norte
mainstream movies • overseas market favors action, high tech blockbusters • high costs • merchandising links • caution, marketing
definitions: indies • outside the studios • limited budgets • funding • commercial quotient low • content • distribution • quality
distribution • studio-owned companies • alternative routes • get shown, reviewed • film festivals • Internet
Internet and the movies • alternative to Hollywood • growth • digitization • ease, potential • web ideal for short films • exposure • video sales
some indie sites • www.alwaysif.com • www.Ifilm.com • www.Ifilmpro.com • www.Atomfilms.com
web and movie publicity • Blair Witch Project
limitations of web movies • download times • image quality • computer screen • financial concerns • are festivals better? • web flooded
finding indies • reviews • TV • film festivals • web • identify directors
John Sayles • Return of the Secaucus 7 • Matewan • Eight Men Out • Passion Fish • Lone Star • Men With Guns • Limbo
Kevin Smith • Clerks • Mallrats • Chasing Amy • Dogma
Spike Lee • She’s Gotta Have It • School Daze • Jungle Fever • Get on the Bus • Bamboozled
Wayne Wang • Chan is Missing • Dim Sum • Slam Dance • Joy Luck Club • Smoke • Chinese Box
Dash, Nava • Dash: Daughters of the Dust • Nava: El Norte, My Family, Selena