1 / 8

Film Noir Delight: Betrayal and Desire in a Low-Key Lighting Masterpiece

Dive into a classic film noir world with a captivating betrayal story featuring femme fatale Lisa, who masterfully manipulates two detective partners, Rick and Chuck. Set against low-key lighting reminiscent of “Touch of Evil” and stunning visuals akin to “Maltese Falcon,” this film focuses on the tension-filled relationships between characters. Minimal budget constraints guide costume selections and filming on a Canon T2i. Post-production will use industry-standard software for editing and sound. Experience the allure and danger of noir, where every shadow tells a tale.

duard
Télécharger la présentation

Film Noir Delight: Betrayal and Desire in a Low-Key Lighting Masterpiece

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. Design Document Garrett Weinholtz

  2. Overall Look • Low key lighting: three lights maximum including ambient lighting. • Will be using the Media Center Lowell Omni Kit • Think dark shots from “Touch of Evil” combined with beautiful shots of “Maltese Falcon”

  3. Touch of Evil

  4. Maltese Falcon

  5. Story • Classic film noir betrayal story • Femme Fatale story of Lisa playing two detective partners, Rick and Chuck • The relationship between the two detectives will be a main focus of the movie as well as the way Lisa toys with both of them to do what she wants

  6. Cost • Minimal budget • Costumes will be coming from Little Theatre costume land whenever possible • Rick’s look • Dark suit, dark fedora, white shirt, black tie • Chuck’s look • Gray suit, gray fedora, white shirt, colored tie • Lisa’s look • Changes between the first and last scenes • First scene: Hat, dress, heels • Second scene: Different dress, no hat

  7. Production • Filming on a Canon T2i, backup camera Canon T3i • SLR Footage will allow for different lenses to be used • 50 mm and 28 mm • External sound device • Zoom H4N with XLR inputs • Boom mic

  8. Post-Production • Editing in Final Cut Pro and After Effects • Color grading will be done in the Magic Bullet Color Looks Suite • Sound editing to be finished in Soundbooth and Ableton Live • Motion introduction to be made in After Effects

More Related