1 / 23

Mastering Camera Shots for Compelling Visual Storytelling

Explore various camera shots like Extreme Long Shot, Close-Up, and more to craft engaging narratives through photography. Learn how different angles and shots influence viewer perceptions and evoke emotions in your visual storytelling journey.

furtado
Télécharger la présentation

Mastering Camera Shots for Compelling Visual Storytelling

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Camera Shots Extreme long shot/Long shot (XLS/LS) • Also known as establishing shots in film. • Contains all of a persons body. • Shot from far away, it contains a large amount of landscape or surroundings and is often used to establish setting or surroundings.

  2. http://instagram.com/p/dwolqcIVYV/

  3. http://www.redbubble.com/people/alexfrayne/works/10259987-tram-stophttp://www.redbubble.com/people/alexfrayne/works/10259987-tram-stop

  4. Camera Shots • Full shot -or- Full body shot (FS) • A complete view of the person. • A little more intimate than the XLS or LS, it can show relationships between people and the setting.

  5. http://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.htmlhttp://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.html

  6. http://500px.com/photo/4000789

  7. Camera Shots • Mid shot (MS) • A shot from the waist up. • A social shot. • Allows you to see the subject’s face more clearly, as well as their emotions and interactions with others. • Good for formal/informal portraits

  8. http://500px.com/photo/59432672

  9. Camera Shots • Medium close-up (MCU) • From the shoulders up. • Personal shot. • A closer view of the subject’s face and emotions, but still involving a bit of background.

  10. http://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.htmlhttp://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.html

  11. Camera Shots • Close-up (CU) • Just the face of a person. • Personal shot. • Allows you to see and understand the emotion of the subject. To feel empathy for them. • Good for formal portraits

  12. http://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.htmlhttp://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.html

  13. Camera Shots • Extreme close-up (XCU) • Contains one part of the subject’s face/other object. • Usually quite detailed. • Often creates an intense mood. • Provides an “interaction” between the subject and viewer due to the frame being filled with one thing.

  14. http://500px.com/photo/4264609

  15. http://500px.com/photo/27558279

  16. Camera Angles • Bird’s eye angle • Looks directly down on a scene. • Let’s be realistic, very little use in photojournalism and very few opportunities to do this outside of a helicopter. • High angle • Looking down on a subject. • Creates the impression that the subjectis small or vulnerable. • Eye-level angle • At eye-level... of course. • Creates an equal level relationship. • Low angle • Looks up at the subject. • Creates the impression that the subject is powerful or strong. • Can be used to make the viewer feel small or vulnerable. http://revision4gcses.wordpress.com/media-studies/camera-anglesmovementshots/

  17. http://www.bbc.co.uk/history/people/adolf_hitler http://www.theguardian.com/world/picture/2013/aug/19/eyewitness-south-tyneside

  18. Creating a story http://journals.worldnomads.com/divvea/photo/43170/973128/India/Moromi-looks-out-of-the-torn-shards-of-a-tarpaulin-she-currently-lives-in-She

  19. http://annawu.com/blog/2011/09/focal-length-comparison/

  20. http://annawu.com/blog/2011/09/focal-length-comparison/

  21. http://jasonlow08.wordpress.com/2010/06/17/understanding-aperture-depth-of-field/http://jasonlow08.wordpress.com/2010/06/17/understanding-aperture-depth-of-field/

  22. Jeff Wall - After ‘Invisible Man’ by Ralph Ellison, the Prologue http://www.mca.com.au/exhibition/jeff-wall-photographs/ Think about “Mise en Scene”...

  23. References http://www.skwirk.com.au/p-c_s-54_u-251_t-647_c-2411/camera-shots-angles-and-movement-lighting-cinematography-and-mise-en-scene/nsw/camera-shots-angles-and-movement-lighting-cinematography-and-mise-en-scene/skills-by-text-type-film/film-overview http://ryanmillsa2blog.blogspot.com.au/2010/09/camera-angles.html http://revision4gcses.wordpress.com/media-studies/camera-anglesmovementshots/ http://annawu.com/blog/2011/09/focal-length-comparison/ http://instagram.com/p/dwolqcIVYV/ http://www.redbubble.com/people/alexfrayne/works/10259987-tram-stop http://www.huffingtonpost.com/2013/04/20/photos-of-the-week_n_3122822.html http://500px.com/photo/59432672 http://500px.com/photo/4264609 http://500px.com/photo/27558279 http://www.bbc.co.uk/history/people/adolf_hitler http://www.theguardian.com/world/picture/2013/aug/19/eyewitness-south-tyneside http://jasonlow08.wordpress.com/2010/06/17/understanding-aperture-depth-of-field/ http://www.mca.com.au/exhibition/jeff-wall-photographs/

More Related