1 / 6

Beloved

Beloved . Theme Notes. Primal Love. Morrison plays with the line between what is “human” and what is “animal” Love is not an emotion the characters believe they can own (pg 45 / 54) If you are not human, what is “love” anyway? Sethe refuses to be labeled in the same manner as other slaves

garin
Télécharger la présentation

Beloved

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Beloved Theme Notes

  2. Primal Love • Morrison plays with the line between what is “human” and what is “animal” • Love is not an emotion the characters believe they can own (pg 45 / 54) • If you are not human, what is “love” anyway? • Sethe refuses to be labeled in the same manner as other slaves • loves like a mother woulddeeply, fiercely, animalistically

  3. Primal Love • Sethe and motherly love • Character forces reader to reevaluate what “love” looks like • Prides herself on her independence and strength to “love big” (162 / 190) • Other characters cannot understand/abide by her attachment • Baby Suggs represents typical relationship to children (pg 5 / 6) • Paul D refuses to see the justification in her actions (165 / 194)

  4. Primal Love • …“You got two feet Sethe, not four”… • That’s the irony! Sethe was NEVER an animal • After being milked and beaten by schoolteacher and the nephews, Sethe left  this was her breaking point • refused to be identified as such by schoolteacher, and refused to allow her kids to live that way either • Her conflict now is making others see that what she did was out of love, not something animalistic (pg 200 / 236) • Fine line between motherly devotion and something else  did Sethe actually cross that line? (pg 206 / 242) • No peace until she finds forgiveness or retribution (pg 262 / 308-9)

  5. Womb / Tomb • Recurring theme throughout literature  the womb of the mother will inevitably lead to death (tomb) • Sethe’s role as mother is constantly revisited by reminders of death and dying • Daughter’s gravestone (pg 5) • Menstrual cycle / moments of peace (pg 95 / 111) • Bringing milk to her children (pg 100 / 118)  this is also a reminder of Sethe’s primal instinct as a mother • Nursing Denver (pg152 / 179) • Temptation / fear of becoming a prostitute (pg 204 / 241)

  6. Womb / Tomb • Beloved’s role in this? • Constant reminder for Sethe of her sin • She is here ONLY for Sethe, for better or worse • Sethe’s womb is only disconnected from cycles of death AFTER she reinvents the moment of Beloved’s murder (262 / 308-9) • Question to reader is whether Sethe has any life left after this final moment (273 / 322) • Beloved’s presence = death of the past • Stories need to be nurtured and addressed (like a child) to be purged (274 / 323) • “It is not a story to pass on” (274 / 323), yet the characters pass it to the next generation, and Morrison passes it to us  catharsis

More Related