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Folk or Traditional ballad

Folk or Traditional ballad. XV – XVI CENTURIES. Anonymous oral form which appears in the late Middle Ages throughout Europe. The oral mode makes the sound aspect very important for the ballad singer because:

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Folk or Traditional ballad

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  1. Folk or Traditional ballad XV – XVI CENTURIES

  2. Anonymous oral form which appears in the late Middle Ages throughout Europe. • The oral mode makes the sound aspect very important for the ballad singer because: • in order to memorize the ballad singers can only make use of sound devices such as: • Rhyme (Dominant rhyme schemeABCB or ABAB) • Stress Pattern (Alternationof 4 stress linesand 3 stress lines) • Repetitionofkeywords, phrases, whole lines and refrains • Alliteration

  3. Themes Ballads are usually about love which may be: erotic love, like in “Elfin Knight”, a ballad describing the courting between a married man and a girl, or tragic love, like in “Lady Diamond”, where a kitchen boy is murdered by the king’s men because of his love for the king’s daughter. In the end the king’s daughter herself dies because of her sorrow for the loss of her true love; magic and the supernatural are other typical themes of medieval ballads, see for example the ballad “Cruel sister” where we are told the story ofa young girl who is killed by her sister for jealousy, but the crime is revealed on her wedding day by a magic harp made of the bones of the victim’s breast and three locks of her hair.

  4. Large use of • simple syntactic structures(there are no subordinate • clauses) • simple lexismainly: • monosyllabic words and concrete nouns of Anglo-Saxon origin. • stock phrases (= a fixed set of words to describe someone or something: e.g. “fair pretty maid” is used in “Geordie” to refer to the female character; and “my milk-white horse” is used to refer to her horse). • formulae(= Idea or concept expressed in identical or almost identical words: e.g. in the ballad “Geordie”, in the first two lines of the second stanza, to express desperate hurry Geordie’s wife says: “Come bridle me my milk-white horse, come bridle me my pony” The language of the Ballad

  5. Narrative technique • The story is usually told by anarratorand through the voice of one of the characters involved in the story, • this implies that dialogue is largely used. Authorship • The origins of this anonymous poetic form are a mystery; • Questions on Who exactly composed the ballads, or where and when these were composed remain unanswered; • Something more may be said about the area where the English ballads were composed thanks to the fact that many of them contain a lot of words of Scottish origin, this makes us think that they were probably composed in an area on the border between England and Scotland.

  6. Ballads were intended for the common people who lived in the villages, this is the reason why they mainly deal with events and situations in the everyday life of common people. • Source of ballad texts • The existence of many versions of the same ballad can be easily explained by the fact that ballads were mainly an oral form and even if ballad singers had exceptional memories, they did not aim at reproducing a text exactly, they simply aimed at telling old stories in the old traditional way. Audience

  7. A (1) ______ there lived in the (2) ______ country • A hey ho bonny o • And he had (3) ______ one, two, three • The swans (4) ______ so bonny o • These daughters they (5) ______ by the river’s brim • A hey ho bonny o • The eldest (6) ______ the youngest in • The swans swim so bonny o • Oh sister, oh sister , pray (7) ______ me your hand • With a hey ho a bonny o • And I will give you (8) ______ and land • the swans swim so bonny o • I’ll give you neither hand nor (9) ______ • with a hey ho a bonny o The Bonny Swans

  8. (10) ______ you give me your own true (11) ______ • the swans swim so bonny o • Sometimes she (12) ______ , sometimes she swam • with a hey ho a bonny o • (13) ______ she came to miller’s dam • the swans swim so bonny o • The miller’s daughter, (14) ______ in red • with a hey ho a bonny o • She went for some (15) ______ to make some bread • the swans swim so bonny o • Oh father, oh daddy, here swims a (16) ______ • with a hey ho a bonny o • It’s very like a gentle (17) ______ • the swans swim so bonny o • They placed her on the (18) ______to dry The Bonny Swans

  9. with a hey ho a bonny o • There came a harper (19) ______ by • the swans swim so bonny o • He made harp pins of her (20) ______fair • with a hey ho a bonny o • He made harp (21) ______of her golden hair • the swans swim so bonny o • He made a harp of her (22) ______bone • with a hey ho a bonny o • And straight it began to (23) ______alone • the swans swim so bonny o • He (24) ______it to her father’s hall • with a hey ho a bonny o • And there was the (25) ______, assembled all • the swans swim so bonny o The Bonny Swans

  10. He (26) ______ the harp upon a stone • with a hey ho a bonny o • And straight it began to play alone • the swans swim so bonny o • And there does (27) ______ my father the King • with a hey ho a bonny o • And (28) ______ sit my mother the Queen • the swans swim so bonny o • And there does sit my (29) ______ Hugh • with a hey ho a bonny o • And by him (30) ______ , sweet and true • the swans swim so bonny o • And there does sit my (31) ______ sister, Anne • with a hey ho a bonny o • Who (32) ______ me for the sake of a man • the swans swim so bonny o The Bonny Swans

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