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This analysis delves into the complex layers of meaning in various works of art, guided by Erwin Panofsky’s three levels of interpretation: pre-iconographic, iconographic, and iconological. From Govert Flinck's “Marcus Curius Dentatus Preferring Turnips to Gold” to Bernini's “Apollo and Daphne,” and even contemporary pieces like Warhol’s “Jackie,” we explore how culture, history, and symbolism shape our understanding. The investigation highlights the significance of cultural context in artistic representation and how specific meanings evolve through time.
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M E A N I N G ideas and values attached to particular images and objects
Govert Flinck,“Marcus Curius Dentatus Preferring Turnips to Gold,” 1656
Three Layers of Meaning(according to Erwin Panofsky): • Pre-iconographic(description with common human knowledge) • Iconographic(description with knowledge of the culture the work comes from – who, when, where, what - which story is depicted?) • Iconological(what is the specific meaning of the work in this particular case – its “message” ?)
“Rig-Veda” (collection of Hindu myths), 1665 Anonymous,“Dancing Shiva,” 12th century
Source: Oral tradition Anonymous, Karagöz and Hacivat
ATTRIBUTE An object that helps to identify a historical or fictional figure depicted in a work of art
“Gaffur” from the Turkish television seriesAvrupa Yakası, 2006
Three Layers of Meaning(according to Erwin Panofsky): • Pre-iconographic(description with common human knowledge) • Iconographic(description with knowledge of the culture the work comes from – who, when, where, what - which story is depicted?) • Iconological(what is the specific meaning of the work in this particular case – its “message” ?)
LEVELS OF INTERPRETATION • Pre-iconographic (General Human knowledge): man with a striped jacket and trousers of the same fabric • Iconographic (Culturally informed knowledge): Pyjama’s, once fashionable in Turkey (ca. 1960’s), now outdated • Iconological (specific meaning of the work):Why did the script writer use this costume? worn by Gaffur not only at home, but also in other peoples’ appartments > doesn’t know how to behave > comical effect
Pieter de Hooch, “Conference Room in the Amsterdam Town Hall,” 1661
a typicalRoman Forum Jacob van Campen,“Citizen’s Hall” in Amsterdam Town Hall, 1655
Artus Quellinus, “The Continents Honoring Amsterdam,”Amsterdam Town Hall, 1655
= the dominance of Amsterdam over the whole world = the spreading of the Catholic church around the world
Hale Tenger, I know people like this II, 1992