1. Post-Impressionism 1880 - 1905 Centered in France

2. Impressionism Impressionism: outdoor painting (Plein-air) that shows the changing effects of light and color. • Impressionism’s Artistic Conventions: Study of lightand color. Loose, short choppy brushstrokes. Depictions of the middle class and the fleeting moment. Claude Monet Pierre-Auguste Renoir Woman with a Parasol Dance at Le Moulin de la Galette

3. Post-Impressionism: A group of artists reacting to Impressionism. They emphasized the emotional aspect of painting, and explored the use of color, line, and form. Night Café at Arles

4. Henri de Toulouse-Lautrec “I have tried to do what is true and not ideal.” -Henri de Toulouse-Lautrec

5. Le Divan Japonais Jane Avril

6. Poster for Jane Avril Moulin Rouge-La Goulue

11. Paul Cézanne “A work of art which did not begin in emotion is not art” -Paul Cezanne

12. Maison Maria on the way to the Château Noir Bordsd'unerivière (Riverbanks)

13. Georges Seurat “Harmony is the analogy of contrary and similar elements of tone, of color, and of line, conditioned by the dominant key, and under the influence of a particular light, in happy, calm, or sad combinations” -Georges Seurat

14. The Circus Le Chahut

15. Pointillism Pointillism: A technique of painting using tiny dots of various pure colors (primary colors), which become blended in the viewer's eye. It was developed by Georges Seurat with the aim of producing a greater degree of luminosity and brilliance of color. Georges Seurat Vincent Van Gogh A Sunday Afternoon on the Island of La Grande Jatte Self Portrait

16. Paul Signac “The anarchist painter is not the one who will create anarchist pictures, but the one who will fight with all his individuality against official conventions.” -Paul Signac

17. Grand Canal in Venice Portrait of Felix Feneon

18. Paul Gauguin • “Art is a mad search for individualism” • “Art is either plagiarism or revolution” • -Paul Gauguin

19. The Vision After The Sermon Christ In The Garden Of Olives (Jacob Wrestling with the Angel)

21. Vincent Willem Van Gogh “I often think that the night is more alive and more richly colored than the day.” -Vincent van Gogh

22. The Church at Auvers Starry Night Impasto: Heavy layering of paint so that it stands out from a surface.

23. A Peasant Woman Digging in Front of Her Cottage Siesta (Noonday Nap)

24. Bernard’s self-portrait with portrait of Gauguin in the background. Gauguin’s self-portrait with portrait of Bernard in the background

25. Émile Bernard, Pardon at Pont-Aven. Vincent Van Gogh, copy of Pardon Gauguin, The Vision of the Sermon.

26. Bernard, Emile painted by Toulouse-Lautrec

27. Emile Bernard -on Cezanne... A painter above all, he opens for art that surprising door: painting for its own sake. -Emile Bernard

28. Cloisonnism is a style of Post-Impressionist painting with bold and flat forms separated by dark contours. It was inspired by medieval stained glass for the broad color areas and distinct outlines. Buckwheat Harvest Harvest (Breton Landscape)

29. Iron Bridges at Asnières Bridge at Pont-Aven

30. Bernard developed the Synthetist style, which emphasizes decorative forms and surface harmony. Descriptive details are suppressed in favor of broad areas of intensely saturated color and sinuous outlines. Madeleine in the Bois d'Amour Breton Women at Prayer

31. Toulouse-Lautrec Gauguin The Painter of Sunflowers. Portrait of Vincent van Gogh

32. Night Café, painted by Gaugin Night Café, painted by Van Gogh

33. Night Café at Arles

34. The Principles of Harmony and Contrast of Colors by Michel Eugene Chevreul. Principle #1 Put a color on a canvas and surround the space with a complementary color. Principle #2 Place white beside a color to heighten its tone. Removing white lessens the intensity. Principle #3 Put black beside a color to weaken its tone, an example is with yellow. Principle #4 Put grey beside a color to render it more brilliant. Principle #5 Put a dark color near a different but lighter color to heighten the tone of the first color. Principle #6 Beside each color put two tints of different tones of the same color to create chiaroscuro. (Chiaroscuro means the treatment of light and dark parts in a work of art to create contrast)