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Domain D1 – Public

Arrival. Domain D1 – Public. Domain D2 – Private. Centers C1 – Lobby C2 – Exhibition space (permanent) C3 – Exhibition space (temporary) C4 – Auditorium C5 – Café C6 – Book and gift shop C7 – Art studios. Centers C7 – Art studios

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Domain D1 – Public

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  1. Arrival Domain D1 – Public Domain D2 – Private Centers C1 – Lobby C2 – Exhibition space (permanent) C3 – Exhibition space (temporary) C4 – Auditorium C5 – Café C6 – Book and gift shop C7 – Art studios Centers C7 – Art studios C8 – Administrative offices C9 – Security dept. C10 – Maintenance dept. Nodes Stairways Elevators Cross-circulation points

  2. Art Studios Public Entrance Security Check Lobby Cafe Public Exit Auditorium Legend Public spaces Retail Acoustical privacy Permanent Collection Immediate adjacency Temporary Collections Convenient adjacency Minor/possible relationship

  3. Loading Dock Security Dept. Employee Entrance & Exit Administrative Dept. Security Check Legend Private spaces Acoustical privacy Maintenance Dept. Immediate adjacency Convenient adjacency Minor/possible relationship

  4. The axial path conveys surety and confidence, while reinforcing the symbolic content of the space. In its modern use, it represents ambiguity and plurality of meaning, as the perceiver can choose which part of the axial path to travel on first, second, etc. The split path is a variant of the axial or linear path, but here the original path either diverges into two or more paths, or several paths come together into one. This path is more complex and accentuates the decision points along its sequence, but offers fewer choices for circulation. Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications. split path axial path

  5. The segmented path consists of a multidirectional series of connected paths, leading to a central space, with examples ranging from one or two turns, to a maze-like journey. This type of path infers the “rigors and trials” of the path to the sacred place, more than the other types, where a more obvious sense of path and passage exists, and also represents the journey to the unknown, through the segments of increasing interest/importance; the boundaries protect the “uninitiated” on the path to the sacred point (p. 147). • Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications.

  6. The circumambulating path either surrounds the center, or forms the space itself. This ancient concept grew out of “archetypal devotion,” and is symbolic of a gradual and respectful approach; sometimes the center is never reached, as the paths encircle it completely (p. 125). • Barrie, T. (1996). Spiritual path, sacred space. Boston, MA: Shambhala Publications.

  7. A – Arrival D1 – Public D2 – Private C1 – Lobby C2 – Exhibition space (permanent) C3 – Exhibition space (temporary) C4 – Auditorium C5 – Café C6 – Book and gift shop C7 – Art studios C8 – Administrative offices C9 – Security dept. C10 – Maintenance dept. N1 – Elevator/Stairway N7 – Cross-circulation N2 – Stairway N8 – Cross-circulation N3 – Stairway N9 – Cross-circulation N4 – Cross-circulation N10 – Cross-circulation N5 – Cross-circulation N11 – Cross-circulation N6 – Cross-circulation N4 N5 C4 C2 C7 D1 N2 N3 N6 C8 C3 N7 N8 C5 C10 C1 N9 N10 N11 D1 C9 C6 A D2 N1

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