‪Johann Wolfgang von Goethe‬ The Sorrows of Young Werther

1. ‪Johann Wolfgang von Goethe‬The Sorrows of Young Werther “Human nature has its limits.” (Humanities 4)

2. Goethe • 1749-1832 • Major German author, playwright, critic, poet, scientist, etc. etc. • Massively influential • First modern “literary celebrity” • Werther, Faust, Elective Affinities, etc.

3. Structure • One-sided epistolary novel • Division into two parts • Nature • The natural vs. the social • Nature not as science, but as art & religion • The real • Sturm und Drang • “Storm and Stress” • Emotive, subjective, individual • Against aristocracy & social constraints • Morally ambiguous

4. Everything I could discover about poor Werther’s story I have diligently gathered together and lay it before you now and know that you will thank me. His mind and his character will compel your admiration and your love, and his fate will compel your tears. And you, amiable soul, feeling driven as he was, draw comfort from his suffering and let this little book be your friend if by chance or by some fault of your own you can find none nearer. (3) • Trustworthy “editor”? • Friendship & fault

5. Werther arrives in Wahlheim in May • “The common people hereabouts know me now and like me, especially the children.” • They had at first thought he approached them to mock them • “People of a certain social standing will always keep themselves coldly at a distance from the lower orders as though they feared any rapprochement might diminish them; and then there are flighty characters and evil jokers who make a show of abasing themselves only so that their superiority may be all the more painfully apparent to the poor. • I know very well that we are not equal, nor can we be; but in my view anyone who feels it necessary to keep away form the so-called common herd to make them respect him is as much at fault as a coward who keeps himself hidden from his enemy in fear of defeat.” (8)

6. “Whoever is his humility knows what [all human effort] amounts to, who sees how every comfortable housholder prinks up his little garden into a paradise and how doggedly even the unhappy man hauls himself and his burden further along the way, and that their one interest is the same: to view the light of the sun a minute more • —seeing that, you are quiet and our of your own self you too may fashion a world of your own and even be happy in being human. And then, confined as you are, you harbour the sweet feeling of freedom in our heart and are conscious that you can always leave this prison when you like.” (11)

7. It’s like love • “One can say a good deal in favour of the rules, roughly what one can say in favour of civil society. A person shaping himself after the rules will never produce anything tasteless or bad, just as a man who lets himself be formed by the law and by decorum will never be an intolerable neighbor or a remarkable miscreant; but say what you like, all rules destroy the true feeling of Nature and the true expression of Nature.” (12)

8. It’s like love • “It is like love.” • A young man is utterly devoted to a girl • “Then along comes a philistine, holder of some public office, and says to him, ‘My dear young man, loving is human but you should love as a human being should.’” Divide up your hours, devote some to love and some to work. “Calculate your assets, and having covered your needs by all means draw on what’s left to make her a present now and then (only not too often)” • “If the love does as he’s told he’ll become a useful young man and I myself would recommend any prince to appoint him to one board or another. But that’s the end of his love and, if he’s an artist, of his art. • My friends, I ask you, why does the river of genius so seldom burst it’s banks, so seldom surge high and roar upon you and shake and astonish your souls?” (12-13)

9. Simple folk • The schoolmaster’s daughter • Happy children, husband abroad to recover inheritance (13) • The pastor, his wife, & the walnut trees • One tree old out of memory, the other planted on the day of his wife’s birth by her father. “He loved the tree more than can be said and certainly I love it no less.” (27) • The Farmhand • Pure love for the widow: “How appealing it was when he spoke of her figure, her body, that without the charms of youth powerfully attracted and bound him—I can repeat that only to myself in my innermost soul. Never in my life before have I seen such urgency of desire and yearningly passionate need in purity—indeed, I might say that in such purity I had never conceived or dreamed it.” • “The thought of this innocence and truthfulness burns in my soul and [...] the image of this fidelity and tenderness pursues me wherever I go, and that as though I myself were on fire, I thirst and pine.” (15)

10. Charlotte is mentioned to Werther, as is the fact that she is as good as engaged • “The weather was very sultry and the women expressed their anxieties about a thunderstorm that in small, heavy, greyish-white clouds seems to be assembling along the horizon. Pretending to be weather-wise, I sought to allay their fears, but did myself suspect our entertainment might suffer a jolt. • Lotte is introduced surrounded by happy children • “How I feasted, when she spoke, on her black eyes; how the animation of her lips and the freshness and warmth of her cheeks pulled at my soul; how I, sunk deep in the sovereign sense of her speech, often did not hear the words with which she expressed it” (19) • Sensuality

11. Lotte: “When I was younger, I loved novels more than anything.” • “But since I so seldom come near a book, when I do it must be wholly to my taste. And I like those authors best in whom I rediscover my own world, whose experiences resemble mine, and whose stories are as interesting and touching to me as my own domestic life, which is of course not paradise but all in all and nevertheless a source of inexpressible happiness.” (19) • Romance vs. the mundane • Is Werther listening? Should he be?

12. “Oh, you should see her dancing! She is in it heart and soul, utterly, her whole body is in harmony, so without care or inhibition, as though dancing were all there is and as though she had no other thought or feeling—and it is certain that in those moments all else vanishes from her view.” (20) • “Wilhelm, in all honest I must tell you I swore that, cost what it might, no girl I loved and had any claim on should ever waltz with anyone but me. You understand me, I’m sure.” • Highly regulated encounters between the sexes

13. After Lotte mentions Albert the first time, the storm breaks, the thunder outdoes the music, women flee & fall into hysterics • “Disorder became general and the music ceased. It is natural that if some fright or calamity surprises us when we are enjoying ourselves it will affect us more strongly that usual, in part because of the contrast thus made very palpable, and in part, and perhaps more, because our senses have been opened to feeling and so take in impressions faster.” (21-22)

14. “We went to the window. There was still thunder away to one side, the rain fell in a glorious rushing on the lad, and scents rose, in quickening abundance, on warm airs to us. She stood leaning on her elbows, her gaze went deep into everything around, she looked up at the heavens, then at me, and I saw that her eyes were full of tears, and she laid her hand on mine and said, ‘Klopstock!’ • —At once I remembered the wonderful ode she had in mind and I sank in the flood of feelings that by this watchword she had unleashed in me. I could not bear it, I bowed and kissed her hand in an ecstasy of tearful joy. And again I looked into her eyes.” (23) • Intimacy in intellect

15. Love, light, image • “Wilhelm what is our world like without love? Like a magic lantern without a light. The moment you bring the little lamp into it, the brightest pictures shine on your white wall. And if it were no more than that, only passing phantoms, still it always makes us happy when we stand there like innocent boys enraptured by the wondrous visions.” (34) • “Three times I’ve begun Lotte’s portrait and three times the result was a disgrace. I am all the more aggrieved by this since a while ago I was very lucky in my likenesses. Now I have done a silhouette of her and I’ll have to be content with that.” (35)

16. “Albert has come and I shall leave.” • “He is so honourable and has not once kissed Lotte in my presence. God reward him for that. I am bound to love him for the respect he shows the girl.” • Albert & Lotte know of Werther’s feelings for her • “And I can’t deny Albert my esteem. His equable demeanor contrasts very sharply with the always obvious restlessness of my own character. He is a man of deep feeling and knows what he has in Lotte. He seems scarcely ever to be in a bad moor, and bad moods are, as you know, the sin I detest above all others in people. • He thinks me a man of sense, and my devotion to Lotte, the warm delight I take in all she does, increases his triumph and he loves her all the more.” (36)

17. On Suicide • “Lend me you pistols, will you,” I said, “for my journey.” • Albert: “I cant imagine how anyone would be so foolish as to shoot himself. The very thought disgusts me. • Werther: “Why must people, when they speak of a thing, say at once this is foolish, this is wise, this is good, this is bad? And what does it mean when they do? Have they first delved into the inner circumstances of an act?” • Albert: “You will concede that certai acts are wrong whatever their motivation.” (40)

18. Werther: Yes, but there are exceptions • To steal to feed one’s family • To kill to avenge infidelity • To have extramarital sex for love • Even the law admits these are different! • Albert: That’s different, those are people in the grip of their passions who have lost their reason. • Werther: You and your reason. “All extraordinary people who ever achieved anything great, anything that seemed impossible, were always certain to be vilified as drunks and lunatics.” (40-41)

19. Albert: You’re comparing suicide to great acts. It’s nothing but a weakness. Of course it’s easier to die than carry in torment. • Werther: Is it weakness when a people rise up to throw off their oppressor? Or when a man carries his children from a fire? Or when through his fury one man can defeat six? • Albert: ??? • Werther: Would you call a man a coward for dying of a fever? “Human nature has its limits.” • “It is as if one said, ‘The fool dying of a fever! If he’d waited till his strength cam back, till his fluids had run clear and the tumult in his blood had quietened, all would have been well and he’d be alive today.” (42-43)

20. “Nature can find no exit out of the labyrinth of tangled and contradictory forces, and the person must die.” • “We parted, not having understood one another. But then here on earth no one easily understands anyone else. (43-44)

21. Book 2 • Werther works for the Envoy, which he finds deadening. (October) • December 24: “What irks me most is the stupidity of social relations. Of course, I know as well as anyone how necessary the distinctions between the classes are and what advantages they bring me—but I don’t want them in my way when I might have some small enjoyment, some shimmer of happiness, on this earth. • Recently on one of my walks I got to know a Fraulein von B., a very amiable person who in all the rigidity of life here has managed to preserve a great deal of naturalness.” (55-56)

22. March 15-16 • Wether is humiliated by remaining at the Count’s house after the people of significant rank arrive • Rank remains even though their clothes are old, or “patched with the rags of the latest fashion” • “Everyone coming in to eat who looked at me, I thought, that’s why they’re looking at you. It was like venom in me.” • Werther becomes the subject of gossip, “it’s enough to make you thrust a knife into your heart.” • Encounters Fraulein B. in the street, who tells him that his presence had embarrassed her, and how they are now both gossiped about and that people are glad he’s been brought down a peg. • “Every word she spoke was a dagger in my heart. She did not sense what a mercy it would have been to keep it all from me. [...] I wished someone would say it to my face so that I might thrust my sword into him. [...] Often I feel like that: I’ll open a vein and get myself a freedom that will last forever.” (61-63)

23. Return to Wahlheim • “She would have been happier with me than with him. Oh he is not the man to answer all the desires of her heart. A certain want of feeling, a want of—understand it how you will—that his heart doesn’t beat in sympathy—oh, at that passage in a well-loved book where my heart and Lotte’s beat as one. [...] True, he loves her heart and soul, and a love like that deserves anything, does it not?” (67)

24. Simple Folk • August • The schoolmaster’s daughter • One of her children dead, and her husband returned ill and impoverished (67) • The walnut trees • Chopped down by the new pastor’s wife, “a scrawny, sour creature who has every reason to feel no sympathy with the world since no one has any sympathy for her. She’s a fool with pretensions to learning who meddles in Bible studies, works hard in the fashionable moral-critical way for the reformation of Christianity, and shrugs her shoulders at Lavater’s enthusiasm.”

25. The Simple Folk • The madman (30 November) • “When you wer happy, I exclaimed, walking quickly towards the town, when you were happy as the day is long!—God in heaven, have you fated men to be happy only before they have any understanding and only after they lose it again?—Poor wretch, but then also how I envy you the confusion and clouding of the mind in which you languish. You go forth in hope to pick flowers for your queen—in winter—and grieve that you find non and do not understand why you can’t find any. • And I—I go forth without hope, without purpose, and return as I went out.” (80-81)

26. The Simple Folk • “As Nature declines into autumn so it begins to be autumn in me and around me.” (Sept. 4) • Overcome by his “passion for the woman” he worked for, the farmhand attempted to rape her, though “God was his witness, his intentions toward her had always been honorable, he had never wanted anything more fervently than that she should marry him and live her life with him.” • He is fired & replaced • “You would know feel how I engage myself and am bound to engage myself in his fate” (68-69 • “This love, fidelity, and passion, therefore, are not a poetic invention. They live, they have their being in greatest purity among the class of people we call uncultured, rude. We, the cultured—cultured for nothing, deformed!” (68-70) • Passion and solipsism

27. The Simple Folk • In early December, the farmhand murders the widow & his replacement • “No one will have her and she will have no one.” • Werther begs for the man’s life • “Werther was overridden and in terrible torment he left, the Steward having more than once said to him, ‘No, he cannot be saved.’” • “Unhappy man, you cannot be saved. I see for sure that we cannot be saved.” • Though he knows that the farmhand cannot escape punishment, “he still felt he must surrender his innermost being if he admitted it and conceded it.” (85-87)

28. A journey I intend to take • Albert persuades Lotte to spend less time with Werther, gossip has begun (87) • Werther: “One of the three of us must go and I will be the one.” • Lotte has tried to think of friends she might pair Werther off with, but none of them are good enough for him. • Werther visits her, against her wishes, and she asks him to read his translation of Ossian • Ossian & Homer • Brother slays husband • Intimacy in intellect & passion • “He clasped her in his arms, pressed her to his heart, and overwhelmed her trembling and stammering lips with a rage of kisses.” • Echo of the farmhand • “Goodbye, Lotte! Goodbye forever!” (95-102)

29. A journey I intend to take • “Would you mind lending me your pistols for a journey I intend to take? Sincere good wishes. Farewell.” • Albert does not believe Werther is sincere about suicide, which reassures Lotte, but also leaves her unable to speak to him about it • To what extent does Albert comprehend Werther? • “Albert turned calmly to Lotte and said: ‘Give him the pistols.’—Then, addressing the youth, he said, ‘I wish him a safe journey.’—That struck her like a thunderbolt. She rose very unsteadily to her feet, not knowing what she was doing. Slowly she went to the wall, trembling took down the guns, dusted them, and hesitated and would have hesitated longer had not Albert with a questioning look urged her on.” (106-108)

30. “Oh may you be happy by my death! Albert, Albert, make her, the angel, happy. And so may God’s blessing abide by you.” • “Everything is so still around me and my soul so quiet. Thanks be to God that He has granted me this warmth, this strength, in these my last moments.” (109) • The drama and romance of suicide

31. Werther’s shot blows open his head, leaving him toppled on the floor bleeding & disfigured • Discovered by his servant, he survives 12 hours • “The presence of the Land Steward and the measures he took hushed up any public outcry. At night towards eleven he had him buried in the place he had chosen for himself. The old man followed the coffin with his sons, Albert could not do it. They feared for Lotte’s life. Working-men carried him. No priest attended.” (111-112) • To what extent is the romance preserved, to what extent deflated? • How & why would we “draw comfort from his suffering and let this little book be your friend if by chance or by some fault of your own you can find none nearer”?

32. “What is this thing, the vaunted demigod, a man? Does he not lack powers precisely when he needs them most? And when he soars in joy and sinks down in sorrow is he not stopped in both and fetched back into dumb, cold consciousness precisely when he had longed to lose himself in the fullness of infinity?” (Dec. 6, 82-83) • How do we judge Werther? Ought we? • Would Werther be better off ‘cured’?