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Mastering Tone Control in Photography

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Learn the three ways to control tone through Reflective, Incident, and Exposure methods. Explore Coincidence and Noncoincidence effects, Contrast, and Affinity for impactful photography production.

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Mastering Tone Control in Photography

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  1. Tone Controlling the Gray Scale Coincidence and Noncoincidence Contrast and Affinity Controlling Tone in Production TA-WEI, LIN., 2011

  2. Tone Controlling the Gray Scale Coincidence and Noncoincidence Contrast and Affinity Controlling Tone in Production 00 00 TA-WEI, LIN., 2011

  3. 控制灰階的三種方式 Controlling the Gray Scale • 有三種方式可以控制色調： • (1) 反射控制（Reflective Control）：藝術指導（Art Direction）。 採用此法，所有的打光必須無影而且平板。 通常藉由藝術指導和服裝設計師來控制。 • (2) 事件控制（Incident Control）：打光（Lighting）。 亮的物件可以看起來暗，暗的物件可以看起來亮。 通常被應用在恐怖、懸疑的故事中。 • (3) 曝光控制（Exposure Control）：相機和鏡頭調整（Camera and Lens Adjustment）。 曝光控制只能改變整體的色調，而不能改變影像中的特定物件的色調。 00 00 TA-WEI, LIN., 2011

  4. Tone Controlling the Gray Scale Coincidence and Noncoincidence Contrast and Affinity Controlling Tone in Production 00 00 TA-WEI, LIN., 2011

  5. 一致和不一致 Coincidence and Noncoincidence • 一致（Coincidence）：主體經由色調來揭露。 通常隱晦背景來強調主體。 • 不一致（Noncoincidence）：主體經由色調而被隱藏。 主體被陰影或光暈所覆蓋，可能是背光，或是透光。 00 00 TA-WEI, LIN., 2011

  6. Tone Controlling the Gray Scale Coincidence and Noncoincidence Contrast and Affinity Controlling Tone in Production 00 00 TA-WEI, LIN., 2011

  7. 對比與雷同 Contrast and Affinity • 對比的色調：必須排除中間調灰階。 • 雷同的色調：低調和高調的雷同不容易維持，因為中間灰階的物體很常見。 00 00 TA-WEI, LIN., 2011

  8. Tone Controlling the Gray Scale Coincidence and Noncoincidence Contrast and Affinity Controlling Tone in Production 00 00 TA-WEI, LIN., 2011

  9. 控制色調的方法 Controlling Tone in Production • 尋找主體：特別是不會移動的物體，但是想被看見或不被看見。 • 不要把色彩和色調混淆：色彩很容易干擾色調。 • 隱藏或揭露物件：強調重要的，隱藏不重要的。 00 00 TA-WEI, LIN., 2011

  10. Q&A

  11. REFERENCES STANDING ON THE SHOULDERS OF GIANTS 1. Bruce A. Block, 2008, The Visual Components, Burlington: Focal Press. TA-WEI, LIN., 2011

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