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MEDIA OFF-SCREEN

This discussion delves into the concept of space articulated by Michel de Certeau, which considers space as a "practiced place." It highlights the contributions of artists such as Richard Serra, Bruce Nauman, and Bill Viola who engage with site specificity, installation art, and the evolving definitions of public space. The analysis connects historical and contemporary movements, including institutional critique and immersive multimedia environments, emphasizing how these artists navigate social, cultural, and conceptual frameworks in their creative practices.

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MEDIA OFF-SCREEN

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Presentation Transcript

  1. MEDIA OFF-SCREEN Topic Three: Space

  2. Michel de Certeau (quote in Suderburg p. 19) “Space is a practiced place”

  3. Artists and Movements • Richard Serra, Bruce Nauman, Peter Campus, Frank Gillette and Ira Schneider, Gary Hill, Bill Viola, Mary Lucier, Steve McQueen, Isaac Julien, IñigoManglano-Ovalle, PipilottiRist, Doug Aitken, Eija-LiisaAhtilla, ShirinNeshat, Kutlug Ataman, Julian Rosefeldt, Diana Thater, Krzysztof Wodiczko, Stan Douglas, Dan Graham, Joan Jonas, Rafael Lozano-Hemmer, Perry Bard, Marie Sester, David Claerbout, KutluğAtaman

  4. Key Concepts & Genres • Site specificity (changing definitions of the term) • Late 1960s / early 1970s: “a real place” –phenomenological • Robert Smithson’s site and non-site • Institutional critique: site as “cultural framework” – social/institutional • Richard Serra’s Tilted Arc, 1981-89

  5. “Functional site” – discursive • These are overlapping and competing definitions

  6. Robert Smithson, Site and Nonsite A Nonsite (Franklin, New Jersey), 1968 Spiral Jetty, 1970

  7. Richard Serra, Splashings, 1968-9

  8. Richard Serra, Splashings, 1968-9

  9. Richard Serra, Gutter Splash Two Corner Cast, 1992

  10. Richard Serra, Tilted Arc, 1981

  11. Martha Schwartz, Jacob Javits Plaza, 1996

  12. Doug Aitken, Sleepwalkers, New York, 2007

  13. Krzysztof Wodiczko, Hirshhorn Museum, Washington DC, 1988

  14. Krzysztof Wodiczko, The Tijuana Projection,at Centro Cultural de Tijuana, 2001

  15. Krzysztof Wodiczko, The Hiroshima Projection, 1999

  16. Media artists as “urbanists” and “translators” who “make visible the invisible” (Willis) • Installation as sculpture, architecture, environment, performance, collection and arrangement of objects, media • Gesamtkunstwerk • Wunderkammern / cabinets de curiosité / Kunstkammern • Expanded cinema / intermedia environments

  17. Installation as the new cinema: immersive and cinematic (Rush)

  18. Bruce Nauman, Live/Taped Video Corridor, 1970

  19. Frank Gilette & Ira Schneider, Wipe Cycle, 1969

  20. Bill Viola, Room for St. John of the Cross, 1983

  21. Bill Viola, The Veiling, 1994

  22. Bill Viola, Pneuma, 1994-2009

  23. PipilottiRist, Apple Tree Innocent On Diamond Hill, 2003

  24. PipilottiRist, Gravity, Be My Friend, 2007

  25. PipilottiRist, Pour Your Body Out, 2008

  26. Kutluğ Ataman, Stefan’s Room, 2004

  27. Julian Rosefeldt, Asylum, 2001-2

  28. Man with a Movie Camera: Global Remake (2008 – Present) by Perry Bard http://dziga.perrybard.net/ • Kinopravada and kinoks • Variantology

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