Sensation and Perception

1. Sensation and Perception Chapter 6

2. Sensation vs. Perception • Psychophysics: The study of the relationship between physical stimuli and our experience of them. • Sensation • The experience of sensory stimulation • “I see…hear…feel…smell…taste something” • Perception • Creating meaningful patterns from raw sensory information • “I see a cat;” “I hear footsteps” etc. • Bottom-Up Processing (DATA-DRIVEN) • Beginning with stimulation of our senses, we interpret sensory information with our brains • I see a furry, 4-legged creature with a tail and identify this as a dog • Top-Down Processing (SCHEMA-DRIVEN) • Using our schemas, expectancies and past experiences, we interpret sensory information to construct deeper meaning • The dog is growling and foaming at the mouth and I realize it may have rabies so I will not approach it

3. Demo 1: Top-Down Processing Examine the series of images on your worksheet. Afterwards, look at the image below and describe what you see in the space on your worksheet. Based on research of Bugelski and Alampay (1961)

4. The Nature of Sensation

5. The Basic Process Press on your eyeball und you vill have a visual experience… YA! • Receptor cells • Specialized cells that respond to a particular type of energy • These exist in your sense organs • Law of specific nerve energies (Muller) • One-to-one relationship between stimulation of a specific nerve and the resulting sensory experience • For example, applying pressure with your finger to your eye results in a visual experience – try it! Ich bin Johannes Muller!

6. Sensory Thresholds • Absolute threshold (Demonstration #2) • The minimum amount of energy that can be detected 50% of the time • E.g. At what point can you hear the presence of a sound? • Some examples for humans: • Taste: 1 gram (.0356 ounce) of table salt in 500 liters (529 quarts) of water • Smell: 1 drop of perfume diffused throughout a three-room apartment • Touch: the wing of a bee falling on your cheek from a height of 1cm (.39 inch) • Hearing: the tick of a watch from 6 meters (20 feet) in very quiet conditions • Vision: a candle flame seen from 50km (30 miles) on a clear, dark night

7. Sensory Thresholds • Sensory adaptation (Demonstration #3) • An adjustment of the senses to the level of stimulation they are receiving • Sandpaper demonstration? • toothpaste/orange juice phenomenon? • Distortion goggles – in springtime… • Difference threshold (Demonstration #4) • The smallest change in stimulation that can be detected 50% of the time • Also called the just noticeable difference or JND • e.g. At what point can you tell that the TV volume has been raised? • Weber’s Law • States that the difference threshold is detected by a constant minimum percentage of the stimulus, not a constant amount • e.g. to detect a difference in weight, the change must be 2% of the original stimulus’ weight

8. Subliminal Perception? • We know that below threshold (subliminal) stimuli bombard us regularly… • BUT…do we respond to these stimuli that are below our level of awareness? • Research shows that the effect only occurs in controlled laboratory studies • Research outside the laboratory shows no significant, lasting effect of subliminal information • Priming • The often unconscious activation of certain associations for the purpose of altering perception, memory or response • Individuals flashed a pleasant or unpleasant image before viewing a photo of a person were influenced to judge the person positively if they saw a pleasant picture and negatively if unpleasant • Subliminal Research at Duke University • Subliminal Advertising Experiment (Demo #5)

9. A Challenge to Sensory Thresholds? Signal Detection Theory challenges the notion of the absolute threshold. SDT is a mathematical model that predicts how and when we will detect the presence of a faint stimulus or signal There is NO single absolute threshold Detection of a stimulus depends on a person’s experience, expectations, motivations, and fatigue.

10. Vision EYE see you! I cannot, however

11. Vision: Transduction and Light Energy • Transduction: Our eyes have the ability to convert one form of energy – in this case LIGHT – into messages that our brain can interpret as a visual experience • We can only see a small part of the electromagnetic spectrum (see diagram on reverse of absolute threshold)

12. Hue Colors we see such as red and green Determined by wavelength Shorter wavelength results in blue-violet; longer results in red Brightness “loudness” or intensity of a color Determined by amplitude Saturation Vividness of a hue Properties of Color and Light Energy

13. The Visual System • Cornea • Transparent protective coating over the front of the eye • Pupil • Small opening in the iris through which light enters the eye • Iris • Colored part of the eye; controls size of pupil • Lens • Focuses light onto the retina • Changes shape through accommodation to help focus image on retina • Retina • Lining of the eye containing receptor cells that are sensitive to light • Fovea • Center of the visual field

14. Receptor Cells • Cells in the retina that are sensitive to light • Visual receptors are called rods and cones • Rods • About 120 million rods • Respond to light and dark • Very sensitive to light • Provide our night vision • Cones • About 8 million cones • Respond to color as well as light and dark • Work best in bright light • Found mainly in the fovea • Marker Demonstration? • Stars in the sky?

15. Receptor Cells • Bipolar cells • Receive input from receptor cells • Ganglion cells • Receive input from bipolar cells • Axons of these cells form optic nerve • Blind spot • Area where axons of ganglion cells leave the eye • NO RECEPTORS! • Blind-spot demo Click for animated visual process!

16. From Eye to Brain • Optic nerve • Made up of axons of ganglion cells • carries neural messages from each eye to brain • Optic chiasm • Point where part of each optic nerve crosses to the other side of the brain • Thalamus relays sensory info to visual cortex in occipital lobes

17. Feature Detection • Feature detectors are neurons in the brain that respond to specific aspects of a stimulus: edges, lines, movements, angles • Feature detectors in the visual cortex send signals to other areas of the cortex for higher-level processing • These areas – called supercell clusters – work in teams to determine familiar patterns – such as faces (processed in the right-side of temporal lobe) • Parallel processing • Our brains process multiple features of visual experience at one and integrate these features to create our experience of vision • If parts of this integration are disrupted through damage or electromagnetic pulses, we may lose our ability to processes certain aspects of vision such as movement or lines (blindsight)

18. Theories of Color Vision • Additive color mixing • Mixing of lights of different hues • Lights, T.V., computer monitors (RGB) • Lights add wavelengths • Subtractive color mixing • Mixing pigments, e.g., paints • Pigments absorb or subtract wavelengths

19. Theories of Color Vision • Trichromatic theory (Young-Helmholtz) • Three different types of cones • Red • Green • Blue • Experience of color is the result of mixing of the signals from these receptors • Can account for some types of colorblindness • Approximately 10% of men and 1% of women have some form of “colorblindness” (sex linked trait) • Dichromats: Two colors only • Monochromats: One color only Ishihara Test

20. Theories of Color Vision • Trichromatic theory cannot explain all aspects of color vision • People with normal vision cannot see “reddish-green” or “yellowish-blue” • Red-Green colorblind people can see yellow, which Helmholtz argues is a result of red and green cones firing – if Helmholtz is correct, how could this be? • Color afterimages? • Opponent-process theory (Ewald Hering) • Three pairs of color receptors • Yellow-blue • Red-green • Black-white • Members of each pair work in opposition • Can explain color afterimages • Both theories of color vision are valid

23. Adaptation • Dark adaptation • Increased sensitivity of rods and cones in darkness • Light adaptation • Decreased sensitivity of rods and cones in bright light • Afterimage • Sensory experience that occurs after a visual stimulus has been removed in response to overstimulation of receptors

24. I’m neither shrimp nor mantis…I am mantis shrimp. Color Vision in Other Species • Other species see colors differently than humans • Most other mammals are dichromats • Rodents tend to be monochromats, as are owls who have only rods • Bees can see ultraviolet light • Stomatopods have the most complex color hyperspectral vision in the animal kingdom, allowing them to differentiate between colors that may appear the same to other human and non-human animals. The Mantis Shrimp is a stomatopod with hyperspectral vision. Hyperspectral capabilities enable the mantis shrimp to recognize different types of coral, prey, or predators.

25. Hearing Ear we go!

26. Sound • We hear by transduction of sound waves into nerve impulses. • Sound waves • Changes in pressure caused by molecules of air moving • Frequency • Number of cycles per second in a wave, measured in Hertz (Hz) • Frequency determines pitch • Amplitude • Magnitude (height) of sound wave • Determines loudness, measured in decibels (dB) • Overtones • Multiples of the basic tone • Timbre (TAM-ber) • Quality of texture of sound

27. The Ear • Outer Ear • Pinna • Tympanic Membrane (eardrum) • Middle Ear • Contains three auditory ossicles (bones) • Malleus (Hammer) • Incus (Anvil) • Stapes (Stirrup) • These bones relay and amplify the incoming sound waves • Inner Ear • Oval Window set in motion by ossicles • Fluid-filled Cochlea • Basilar membrane set in motion by the rippling fluid • Organ of Corti sits atop the basilar membrane and contains with cilia (hair cells) which bend as basilar membrane vibrates

28. Ear to Brain • Cilia send nerve impulses through the auditory nerve to the brain • Auditory nerve • Connection from ear to brain • Provides information to both sides of brain • Information processed in auditory cortex in temporal lobe

29. Theories of Hearing • Loudness is determined by how many hair cells fire • Theories of Pitch • Place theory • Herman von Helmholtz (again!) • Pitch is determined by location of vibration along the basilar membrane • Frequency theory • Pitch is determined by frequency hair cells produce action potentials • Volley Principle • Accounts for high-frequency (high pitched) sounds • Pattern of sequential firing determines pitch where hair cells in teams: some fire while others go through refractory • Sound Localization • Binaural cues allow us to determine source of sound • Interaural Time Difference (ITD) says nearer ear picks up sound first to provide clues about sound source • Sounds directly behind us are most difficult – no visual cues and little to no ITD.

30. Hearing Disorders • About 28 million people have some form of hearing damage in the U.S. • Can be caused by • Injury • Infections • Explosions • Long-term exposure to loud noises • Conduction hearing loss results from damage to parts of the ear itself • Sensorineural hearing loss results when there is damage to hair cells or auditory nerve • Cochlear implants can replace damaged hair cells and transduce sounds into electrical signals sent to the auditory nerve • Use of the implants is debated • Many advocates for the deaf argue that deafness is NOT a disability, but rather an enhancement of other senses

31. The Other Senses

32. Remember Me? The Skin Senses • Skin is the largest sense organ • There are receptors for pressure, temperature, and pain • Touch appears to be important not just as a source of information, but as a way to bond with others • Homunculus Man • Proportional representation of skin receptor concentration • The larger the part, the more receptors/the more sensitive • Demo: Skin sensitivity • “Paradoxical heat”

33. Kinesthetic Senses • Kinesthetic senses provide information about the position and movement of body parts • Stretch receptors sense muscle stretch • Golgi tendon organs sense movement of tendons when muscle contracts and send impulses to CNS

34. Vestibular Senses • Vestibular senses provide information about equilibrium and head and body position • Fluid moves in two vestibular sacs and the semicircular canals • These vestibular organs are lined with hair cells that bend when fluid moves over them • Vestibular organs are also responsible for motion sickness • Motion sickness may be caused by discrepancies between visual information and vestibular sensation

35. Serves as a warning about injury or other problem Large individual differences in pain perception Gate control theory Neurological “gate” in spinal cord which controls transmission of pain to brain Major pain signals (large fiber activity) can close “gate” while small ones open it Biopsychosocial theory Holds that pain involves not just physical stimulus, but psychological and social factors as well Placebo effect Shows that when a person believes a medication reduces pain, their pain is often reduced even though no medication was given Pain relief is likely the result of endorphin release Alternative approaches Hypnosis and Self-hypnosis Acupuncture Thought distraction Pain

36. Taste • Five Basic Tastes • Traditionally, taste sensations consisted of sweet, salty, sour, and bitter tastes. Recently, receptors for a fifth taste have been discovered called “Umami” Salty Sweet Sour Bitter Umami (Fresh [dead?] Chicken)

37. Taste • Receptor cells are located in taste buds • Taste buds are located in papillae (“pa-PILL-ee”) on the tongue • Chemicals dissolve in saliva and activate taste receptors inside the taste buds • Taste is processed in the parietal lobe

38. Taste • Why do we have receptors for the tastes we do? • Evolutionary perspective on how taste receptors developed? • Other aspects of taste result from the interaction of taste and smell together, such as flavors. • Without a sense of smell, our ability to distinguish flavor vanishes!

39. Smell • Detecting common odors • Odorant binding protein (OBP) is released and attached to incoming molecules • These molecules then activate receptors in the olfactory epithelium • Axons from those receptors project directly to the olfactory bulb • Women have a better sense of smell than men • Anosmia • Complete loss of the ability to smell

40. Smell, Taste and Memory • The brain region for smell (in red) is closely connected with the brain regions involved with memory (limbic system). That is why strong memories are made through the sense of smell.

41. Smell and Pheromones • Pheromones • Used by animals as a form of communication • Provides information about identity • Also provides information about sexual receptivity • Pheromones stimulate the vomeronasal organ (VNO) • Information from the VNO is sent to a special part of the olfactory bulb used for pheromonal communication • T-Shirt Study?

42. Perception • How do we integrate our sensory experiences into something meaningful? • Gestalt principles

43. Perceptual Organization: Figure Ground • We perceive a foreground object (figure) against a background (ground) • Animals may look like the background they inhabit as a way of destroying figure-ground distinction

44. Perceptual Organization:Grouping Closure (above) : We fill in gaps to complete a whole object and assume there are three circles and two triangles in this picture. Proximity: We group nearby things together Similarity: We group together objects that look alike Continuity: We tend to perceive smooth and continuous patterns over separate pieces Connectedness: We group together things that are connected as one unit

45. Perception of Distance and Depth • Visual Cliff revisited • Binocular cues – those that require both eyes • Stereoscopic vision • Retinal disparity • Angle of Convergence • Hotdog Finger Illusion?

46. Perception of Distance and Depth Monocular cues – those that require only one eye Relative height Relative size Interposition Linear perspective Relative motion (motion parallax) Light and shadow Texture gradient

47. Localizing Sounds • We use both monaural and binaural cues • Loudness • Louder sounds are perceived as being closer • Time of arrival • Sounds will arrive at one ear sooner than the other (ITD) • This helps determine direction of the sound

48. Perception of Movement • Apparent movement • Illusion that still objects are moving • Autokinetic illusion • Perceived motion of a single object without any grounding references • Stroboscopic motion • Created by a rapid series of still pictures • Phi phenomenon • Apparent motion created by lights flashing in sequence

49. Perception of Movement

50. Perception of Movement When one analyses step-by-step the gray levels next to the spokes, there are two steps where any given spoke first merges with the preceding sector on one side, then with the succeeding sector. Since in this transition the spoke’s identity is lost and thus it (seemingly) changes position, it is seen as moving. In addition, there is a Gestalt factor at play: each individual spoke only moves one single tiny step per rotation of the sectors, but each one does so at a different time. Since all spokes are grouped together, the entire spoke wheel is perceived as undergoing a continuous rotation.