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2012 EAST-ASIAN ARCHITECTURE & URBAN DESIGN WORKSHOP, PNU

2012 EAST-ASIAN ARCHITECTURE & URBAN DESIGN WORKSHOP, PNU. WORKSHOP : 2012. 7. 30(Mon .) ~ 8. 4(Sat .) TOUR : 2012. 8.5(Mon .) ~ 8.11(Sat .) ORGANIZER  Department of Architecture, Pusan National University, Korea

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2012 EAST-ASIAN ARCHITECTURE & URBAN DESIGN WORKSHOP, PNU

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  1. 2012 EAST-ASIAN ARCHITECTURE & URBAN DESIGN WORKSHOP, PNU WORKSHOP: 2012. 7. 30(Mon.) ~ 8. 4(Sat.) TOUR : 2012. 8.5(Mon.) ~ 8.11(Sat.) ORGANIZER  Department of Architecture, Pusan National University, Korea Department of Architecture, Faculty of Engineering, Oita University, Japan MEMBERS Department of Architecture, Pusan National University, KOREA Department of Architecture, Faculty of Engineering, Oita University, JAPAN Department of Architecture & Urban Design, Kyushu University, JAPAN School of Architecture & Urban Planning, Tongji University, CHINA

  2. SCHEDULE 2012. 7. 30(Mon.) 16:30-17:00 : Check-in(Dormitory,PNU) 17:30-18:30 : Orientation(Lecture RM/930) 18:30-20:00 : Opening Ceremony & Welcome party(Design Studio1/935) 2012. 7. 31(Tue.) 07:30-08:30 : Breakfast 09:30-10:30 : Keynote(Lecture RM/930) Think of again and again/東道西器Prof. LEE Dong-Eon/Pusan National University 10:40-11:30 : Site-visit(Mirinae Valley) 12:00-13:00 : Lunch 14:00-15:30 : Lectures(Auditorium/3F.) 15:30-18:00 : Workshop(Design Studio1/935) 18:00-19:00 : Dinner 19:00- : Workshop

  3. 2012. 8. 1(Wed.) 09:00-10:00 : Workshop 10:00-11:20 : Lecture(Prof. SATO Seiji, Prof. LEE Hoyeol) 11:30- : Workshop 2012. 8. 2(Thu.) 09:00-15:00 : Workshop 15:00-18:00 : Presentation & Critique 18:00-19:00 : Dinner 19:00-     : Workshop 2012. 8. 3(Fri.) 09:00- : Workshop 2012. 8. 4(Sat.) 09:00-16:00: Workshop 16:00-17:00 : Exhibition 17:00-18:00 : Closing Ceremony 18:00-20:00 : Farewell party 2012. 8. 5(Sun.) - 2012. 8. 11(Sat.) : Post-workshop Tour

  4. THEME - Think of 東道西器again and again An urban architecture, a folly, originated from the French folie, 'foolishness', also known as eye catcher, can be described as 'a costly, generally nonfunctional building that was erected to enhance a natural landscape.' Why do we seem to believe that the definition of the folly is determined and fixed although everything is changeable? According to Laotzu(老子), everything in the earth is changing, because the world is changing permanently and constantly. "There are ways but the Way is uncharted": there names but not nature in world: Names indeed is source of creation. In order to be re-created all in the world is in deconstruction and recreation. Therefore everything is transforming into something. Often, folly's appearance is its only purpose in the western culture. The meaning of a folly is stable. However, in the east the meaning of folly is indeterminable. For example the Gwangju(光州) Design Biennale 2011 an Urban Folly is defined as an architecture that can contributes to urban regeneration with a function of a public space beyond the function entailed in the original definition of a folly. Urban Folly, an exhibition presented as part of the Gwangju Design Biennale 2011. The appearance of follies is in no longer their sole purpose but indeterminable purposes. We can affirm that the indeterminable meanings of folly come from combining Tao with a folly in Limitless situations. In conclusion this project is to combine Tao with a folly located at one - five points along Mirinae(Milky) Valley. Consider the materials that are handed out to you.

  5. ASSIGNMENT You can express the theme in your own unique and creative way. The presentation shall be on a presentation panel with a scaled model. [Design Program] A design shall propose a folly or a cluster(or series) of follies located at one -five points along Mirinae(Milky) Valley. [Final Presentation Panel] The size of the presentation panel is 600 ×900 (㎜ ㎜ one panel per team). In principal, texts on the panel shall be written in English. The team number should be in the upper right-hand corner of the panel. Sketches with various kinds of pens and inks as well as computer generated images are highly recommended in the presentation. The presentation method will be not limited but open to your own unique and creative way. Foam boards and drawing sheets for the presentation panel will be available at the workshop. [Model Presentation] The basic materials for model will be available. You can bring your own materials for model. The size of the model presentation is smaller than 600㎜×450㎜.

  6. PARTICIPANTS PROFESSOR(Tutor) [JAPAN] Prof. SATO Seiji佐藤誠治･M･Department of Architecture･Oita Univ. Prof. SAKAI Takeru坂井猛･M･Department of Architecture･Kyushu Univ. Dr. HIMENO Yuka姫野由香･F･Department of Architecture･Oita Univ. Dr. MINOURA Eiko箕浦永子･F･Department of Architecture･Kyushu Univ. [CHINA] Prof. Chen Jing陈静･F･Department of Landscape Architecture･Tongji Univ. Miss. Ding Xuesong丁雪松･F･CAUP･Tongji Univ. [KOREA] Prof. PARK Chang-bae, Department of Architecture, Pusan National Univ. /Dean Prof. LEE Inhee, Department of Architecture, Pusan National Univ. /Coordinator

  7. STUDENTS [JAPAN ]Oita+KyushuUniv. J-O1 ISHIKAWA Yuki石川友樹･M･M2･v11e6001@oita-u.ac.jp･Oita University OKAMOTO Masaru岡本大･M･M1･v12e5002@oita-u.ac.jp･Oita University NAKADA Tatsuya中田達也･M･M1･tatsuya.nakada@gmail.com･Kyushu University J-O2 ISEKI Takayuki井関崇之･M･M2･v11e5002@oita-u.ac.jp･Oita University DOBASHI Yoshiaki土橋義章･M･M1･v12e5004@oita-u.ac.jp･Oita University KOJIMA Yuki兒島有紀･M･M1･arch.koji@gmail.com･Kyushu University J-O3 IWATA Kazuya岩田和哉･M･M2･v11e5004@oita-u.ac.jp･Oita University HIGUCHI Natsuki樋口夏希･F･M1･v12e5007@oita-u.ac.jp･Oita University SUEYOSHI Yuki末吉祐樹･M･M2･yuki.sueyoshi0805@gmail.com･Kyushu University J-O4 MORISHITA Yasutaka森下泰敬･M･M2･v11e5017@oita-u.ac.jp･Oita University MATSUMOTO Ayaka松本彩花･F･M1･v12e5008@oita-u.ac.jp･Oita University･manager MISAKI Teruhiro三崎輝寛･M･M1･cape.peanut@gmail.com･Kyushu University J-O5 AOYAGI Naoki青柳直希･M･M1･v12e5001@oita-u.ac.jp･Oita University HATANAKA　Shinji畑中信二･M･M1･v12e5006@oita-u.ac.jp ･Oita University MIYOSHI Kazuki三吉和希･M･M1･k.miyo11@gmail.com･Kyushu University

  8. STUDENTS [CHINA ]Tongji Univ. C-O1 YANG Ting杨汀･F･1･yangting92@163.com･Urban Planning･Tongji University ZHANG Pu张谱･F･3･poohboom.pooh2@gmail.com･Architecture･Tongji University YANG Gejun杨戈骏･M･3･shyzygj0129@126.com･Landscape Architecture･Tongji University C-O2 ZHANG Lu张璐･F･2･zhanglu1707@sohu.com･Urban Planning･Tongji University GUAN Jinjin管金谨･F･3･gjj19910108@163.com･Landscape Architecture･Tongji University HU Hongyuan胡鸿远･M･3･besthhy@gmail.com･Architecture･Tongji University C-O3 PAN Si潘思･M･2･pansi0714@163.com･Architecture･Tongji University HE Yumeng何宇梦･F･3･hym_90@yahoo.com.cn･Urban Planning･Tongji University HUANG Shiqi黄诗琪･F･3･huang.serena@hotmail.com･Landscape Architecture･Tongji University C-O4 ZHANG Lina章丽娜･F･3･090409@tongji.edu.cn･Urban Planning･Tongji University AN Qi安琪･F･2･angelseven0121@163.com･Landscape Architecture･Tongji University LU Zhengyang卢政阳･F･3･467880760@qq.com･Architecture･Tongji University

  9. STUDENTS [KOREA ]Pusan National Univ. K-O1 Choi Hyun-jin･F･4･010 3423 4023･kyokyo527@nate.com･Pusan National University Cha Seong-wook･M･3･010 8746 4678･chasw@cyworld.com･Pusan National University Kim Yeon-ho･M･3･010 3342 1781･saeeas@hanmail.net･Pusan National University K-O2 Park Ji-youn･F･4･010 4830 0343･zzang901010@naver.com･Pusan National University Ha Mi-won･F･3･010 2887 4035･sango_1@naver.com･Pusan National University Pyo Ji-eun･F･3･010 3151 4190･dudgh52@naver.com･Pusan National University K-O3 Wang Wei･M･3･010 4168 1860･jewe5292@163.com･Pusan National University Kang Ki-hoon･M･3･010 9606 5042･khkgoi@naver.com･Pusan National University K-O4 Kim Ji-eun･F･4･010 7156 5229 kje0802@naver.com･Pusan National University Jung Ah-reum･F･3･010 4788 8676･wjddkfma0103@hanmail.net･Pusan National University Park Jeong-hoon･M･3･010 5767 8132･pjh520489@naver.com･Pusan National University K-O5 Kim Eun-seon･F･3･010 4503 6747･dmstjs444@naver.com･Pusan National University Park Jee-eun･F･3･010 2553 6706･sharonroad@naver.com･Pusan National University Kim Min-ju･F･3･010.8521.7386･alsgk242@naver.com･Pusan National University

  10. STAFF BYEON Hwa-um･F･4･010-8011-1220･iharmony@naver.com･Pusan National University LEE Ji-won･F･4･010-3439-9600･01052359069@nate.com･Pusan National University OH Young-seok･M･2･010-9990-0866･zxc3111@naver.com･Pusan National University PARK Young-chan･M･4･010-2551-1080･myhoper@nate.com･Pusan National University CHOI Yeong-a･F･M1･010-8261-0511･cya891210@nate.com･Pusan National University

  11. ♣poet promenade...(1) Working on empty pedal.-Listen to the Song of Bike.1 There goes two rolling silver wheels No engines, no oils Only with two legs There is emptiness in the middle of the two silver wheels Emptiness makes spokes and pedals exist and makes it useful The energy of emptiness makes a bike go forward I always wanted to be like the empty center of the silver wheels I have been dreaming Like those silver spokes gathered in the center and make a bike go forward, my imagination would be dedicated to the empty center So that out of the mundane world I could run a round wheel of splendid poetry Oh, the emptiness in the wheel makes me work hopeful pedal constantly the emptiness that forms inside of the wheel makes me sing a life, round like silver wheel Through the empty center in rolling silver wheel there goes manifest sky, fierce wind A Roc's wings come and go

  12. ♣poet promenade...(2) The Road of Salmon. Turning back. That's the movement of road.(Tao) The lain grasses get up, the birds fold their spreaded wings, the water reverts to the raindrops and go to the root, and we memorize. The salmons go up rough streams. Where do the salmons go with overtaking the world? the death is stiff. the life is weak and soft. the salmons bounce, the salmon bounce. Hey, movement of the road. Can't you hear? Can't you hear the crying of the first baby of the world?

  13. ORGANIZING STUDIO - A,B,C A-Studio : B-Studio : Prof. SATO + Dr. HIMENO Yuka･OitaUniv. C-Studio : Prof. Chen Jing+Miss. Ding Xuesong･TongjiUniv. Dr. MINOURA Eiko･Kyushu Univ.+Prof. PARK Chang-bae･PNU 0-01 0-02 0-03 0-04 0-05 0-06 0-07 0-08 0-09 0-10 0-11 0-12 0-13 0-14 TEAM A B C A B C A B C A B C A C STUDIO

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