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COSTUME AND TECHNOLOGIES. DRAMA YEAR 10 2012 BY ROHANN MACKRELL AND TAWNI DICKSON. Male Costumes. T ights . Elizabethan Period. D oublets . The ruff. Breeches under doublets. Short hair and beards. Chains, earrings, brooches, and finger rings. Female Costumes. Elizabethan Period.
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COSTUME AND TECHNOLOGIES DRAMA YEAR 10 2012 BY ROHANN MACKRELL AND TAWNI DICKSON
Male Costumes • Tights. • Elizabethan Period. • Doublets. • The ruff. • Breeches under doublets. • Short hair and beards. • Chains, earrings, brooches, and finger rings.
Female Costumes • Elizabethan Period. • Chains, earrings, brooches, and finger rings • Tops were tight • Hats were copies of men’s • Shoes of rich materials
Shakespearean Lighting • There was an open roof so the natural lighting was used. • Shows were all done in the afternoon. • The speech portrayed the atmosphere.
Shakespearean Lighting Open Roof
Shakespearean Sound • Music was added in the 1600s. • Hut above stage for sound/special effects. • Actors had to project their voices to be heard.
Shakespearean Sound Sound Hut
Shakespeare Set Design • Theatres outside of London. • Open to sky. • Circular or Square shape mostly. • Three gallery tiers for audience. • Doorways for actors at back of stage. • No stage curtain. • Trapdoor on stage for ‘ghosts’ to enter/exit. • Props were used. • Actors could ‘come from the sky’
Bibliography • ‘Theatre Art in Action’ – National Textbook Company pg. 156 – 157. Wednesday 25th July 2012 • www.william-shakespeare.info/william-shakespeare-globe-theatre-structure.htm - Wednesday 1st August 2012; 11.30am • http://www.bardweb.net/content/readings/macbeth/lines.html - Wednesday 1st August 2012; 12.20pm • http://shakespeare.palomar.edu/theatre.htm – Wednesday 1st August 2012; 12.25pm • ‘Essential Shakespeare Handbook’ – Leslie Dunton– Downer, Alan Riding pg. 25. Tuesday 7th August 2012 • ‘William Shakespeare’ – Leon Ashworth pg. 16 – 17. Tuesday 7th August 2012