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This study delves into Fourier Analysis as applied to musical tones, focusing on the synthesis of bell tones through frequency modulation (FM). Parameters such as α = 125, β = -175, and b = 1 are explored for generating unique auditory experiences. Additionally, the text covers Risset's endless glissando concept, which revolutionizes sound perception. The research includes the creation of wave format files for bell tones and endless wave files, enabling an exploration of acoustic phenomena in computational physics.
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