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Agenda 10/19

Agenda 10/19. Focus: Editing your open question timed writings

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Agenda 10/19

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  1. Agenda 10/19 • Focus: Editing your open question timed writings • During announcements: Jot down in your student calendar that if you own Playboy of the Western World, bring it in starting tomorrow; please write down also that Poetry Response #4 is due this Friday and that Lear books must be turned in by Wednesday. • The Good, the Bad, and the Ugly (and snacks): Debriefing the Open Question • Peer editing or big group editing? You get to decide! • HW: Read your new independent reading book; poetry response #4 due Friday. 

  2. Agenda 10/20 • Focus: Developing your Irish background to understand Playboy of the Western World • During announcements: Do you still remember syntax? It’ not punishment—just a little review. • Two Irish voices: U2 and William Butler Yeats • Starting to research our topics for reading Playboy of the Western World • HW: Finish your research; independent reading; turn in your Lear book tomorrow; enjoy sleeping in. 

  3. U2 and Yeats: An Irish Pairing • As you read/listen, quickly TPCASTT (title, paraphrase, connotations, attitude, shift, title, theme) • Bigger question: What are the tensions in these two poems? What tensions do they share?

  4. Agenda 10/21 (Shortened Class) • Focus: A creative and fun-loving exploration of this play’s plot, political background, and characters • During announcements: Lads and lasses—Please help yourself to a copy of The Playboy of the Western World and write your names inside by the end of announcements! • A little Leclaire chat • Celebrity Jeopardy? Limericks? An in-depth yet creative approach to this play’s background • HW: Prepare for tomorrow’s presentation (bring any props/music, etc. necessary; independent reading. 

  5. Agenda 10/22 • Focus: Top o’ the Mornin’ To Ya! Establishing a strong Irish background for Playboy of the Western World • During announcements: The sheer joy of syntax, revisited with a little twist • Briefly exploring Yeats’ “The Second Coming” • Silent TPCASTT • Big circle discussion • Preparing your presentations on the background information of Playboy of the Western World; AND…you get your secret challenges • HW: Presentations will take place tomorrow; please bring in any props you might need; independent reading. 

  6. Agenda 10/23 • Focus: Top o’ the Mornin’ To Ya! Establishing a strong Irish background for Playboy of the Western World • During announcements: QUIETLY turn in poetry response #4; jot down tonight’s homework; take out comp. book and Playboy of the Western World • 10 min to touch base with presenters on the background information of Playboy of the Western World; AND…you get your secret challenges • Presentations • Start reading Act 1; journal as you read • HW: Finish reading Act 1 and create at least two more entries in your composition book that relate back to your “Hot Irish Topic”; independent reading. 

  7. Group Tasks • Group #1: Read the plot description (p.2-7); present the entire play in a 2 min. skit. You may have a narrator and a sense of humor. Be sure that major characters and events are clear. • Group #2: Read the background (p.8-20); present a brief session of Celebrity Jeopardy in which you reveal important background information. • Group #3: Read the character descriptions (p.20-28); write a limerick for each character that reveals important analysis/description of the character and present it in a creative, dramatic, and/or sing-songy way.

  8. Hot Irish Topic Journal Entry • Quote, speaker, and page number • Quick paraphrase • Analysis: Questions and commentary relating quote back to your Irish topic • Christy: “…I’m thinking this night wasn’t I a foolish fellow not to kill my father in the years gone by.” (63) • Paraphrase: Tonight I’m thinking that I was foolish not to have killed my father earlier (because it has won him the affection of two women). • Analysis: Christy appears to be an Oedipal figure in this play as he has killed his father. However, Synge twists his role, making it comic rather than tragic, since Christy is proud here of killing of his father. And why shouldn’t he be? Instead of earning him shame, his act has won him the attention and desire of two women.

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