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Chapters 14, 15, 16 and 17

Chapters 14, 15, 16 and 17. Sean, Walter and Chiratip. Chapter 14. Character Michael – The analogy of the plane crash demonstrates the ‘new’ Germanys' new creative and emotive side plot

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Chapters 14, 15, 16 and 17

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  1. Chapters 14, 15, 16 and 17 Sean, Walter and Chiratip

  2. Chapter 14 • Character • Michael – The analogy of the plane crash demonstrates the ‘new’ Germanys' new creative and emotive side • plot • The start of an important change in Michael and Hannas’ relationship – Michael begins to resent Hannas attitude towards him

  3. Chapter 14 • setting • Allusion to war and Peace and Intrigues and Love help to create a more real and believable world • style Pg. 67 The analogy/metaphor of the sudden airplane crash for their relationship • Allusion - see above

  4. Chapter 14 • Theme • Old Germanys’ image – Hanna's reaction to being called a horse pg. 69 • New Germanys’ image – The pet names Hanna gives to Michael – diminutives pg. 68

  5. Chapter 15 • Theme • Pg. 73 Michaels refusal to talk to his friends about Hanna represents new Germanys shame at being connected with Old Germany – metaphor • Pg. 74 Michaels dilemma on whether to reveal his fascination an relationship with Hanna represents young and old Germanys relationship

  6. Chapter 15 • Setting • Pg 73 “took shelter under the overhang of the garden shed in Neunheimer Feld” • Plot • Michael begins to reconsider or ponder his relationship to hannah • Characterization • Pg 73 “at first I told myself that I wasn’t close enough….” • Shows Michaels indecisiveness, lack of focus and drive (unlike hannah)

  7. Chapter 16 • Plot • Where Michael is wondering why Hanna refuses to tell him what she does in her free time. • Character/ symbolism of ideas • “I never found out what Hanna did when she was not working and we weren’t together”. • It could possibly represent how old Germany does is reluctant to share what its done with new Germany. • Setting • A lot of Michael’s thoughts as it is mainly built up on how he feels of Hanna’s mysterious nature. (in Michael’s head) • When the audience is not receiving Michael’s perspective they are in Hanna’s house.

  8. Chapter 16 (continued) • Theme • Michael does not know what Hanna does in her spare time. “I never found out what Hanna did when she wasn’t working and we weren’t together”.Pg76 • This can show Old Germany’s unwillingness to reveal what they had done in the past. • Hannah bathing Michael represents Old Germany trying to cleanse the new Germany of its sins • Style • First person • The use of first person personalises Michael and brings him closer to the audience as we as readers can feel what he feels.

  9. Chapter 17 • Plot • This chapter is pretty big in terms of plot, Hanna leaves Michael for what is going to be a LONG time. • Character • “Even worse than my physical desire was my sense of guilt” • This can portray New Germany feeling guilty for what Old Germany had done. (said y Michael) • Setting • Her apartment • The train office

  10. Chapter 17 • Theme • Pg. 81 Frau Schmitz leaving her furniture with out a trace of explanation represents Old Germany leaving without an explanation. It represents old Germany leaving behind what they have done for New Germany • Style • Many unanswered questions. • E.g. “How could I be sure it was her when I hadn’t been able to make out the face? If it had been her, wouldn’t I have had to recognize her face? So couldn’t I be sure it wasn’t her at all?” • Emphasizes his sense of guilt.

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