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Dive into the realms of cultural synthesis and personal identity with this project that intertwines hip-hop, performance art, and cultural appropriation. Uncover layers of class, gender, and costume through an immersive experience that challenges notions of authenticity and rhythm. Through interactive elements like reciting rap songs and hitting piñatas, participants engage with themes of cultural heritage and self-expression in a dynamic exploration of what it means to perform.
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project i: research vito acconci, 1969 PERFORMANCE ART --physicality, confrontation, temporality improv, chance --break down space between artist & audience FLUXUS --“flow,” intermedia, humor --bottom-up CABARET VOLTAIRE—ZURICH space where dadaists held performances, including “spoken word” mia, 2010 hugo ball, 1916
project i: research vanessa beecroft, 1998
project i: research MATTHEW BARNEY intuitive imagery character cinematic/mise-en-scene LUIS GISPERT merges cultures hip-hop as new “baroque” DIE ANTWOORD cultural synthesis art is life
project i: research KALUP LINZY, “IGNORANT OIL,” 2009 character, gender live performance JAY-Z “ON TO THE NEXT ONE,” 2009 abstract imagery confrontational cinematography/lighting KANYE WEST “RUNAWAY,” 2010 film/music video synthesis
piñata “MEDIEVAL MINSTREL” INTERACTIVE PERFORMANCE recite rap song mise-en-scene/character after each verse, hit piñata THEMES identity--layering class gender costume on costume rhythm authenticity/performance PINATA vessel of cultural appropriation tex-mex culture
piñata COMPUTER, PROCESSING PROJECTOR VIDEO CAMERA
project ii: music video 3-4 MINUTE VIDEO multiple characters original rap & song mise-en-scene/character incorporate motion graphics THEMES tex-mex/hip-hop cultural elements previously mentioned themes kanye west, “good life”
project iii: live video 1-2 MINUTE INTERACTIVE PERFORMANCE myself original rap & song narrative out of chaotic real-time data THEMES idea of “flow” performance as “real-time” narrative? kalup linzy