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In Chapter 3 of "Ways of Seeing," John Berger examines how social presence differs between men and women. He argues that a man's presence is defined by his promise of power, while a woman's presence reflects her self-perception and the way society views her. The chapter delves into the representation of the female body in art and its objectification, as seen in works like Ingres' "La Grande Odalisque." By contrasting male and female nudes, Berger invites readers to question their perceptions and the implications of gendered viewing in art history.
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Ways Of Seeing Chapter 3 “Men Act And Women Appear” -John Berger
Presence is depended on his promise of power. If promise is large then presence is striking. His presence suggests what he is capable of doing for you. Presence expresses her own attitude towards herself. This defines what can be and what cannot be done to her. It is manifested in her gestures, voice, opinion, expressions, clothes, and chosen surroundings. Social PresenceMale –vs- Female
Adam and Eve The beginning of subjectivity of women In The Beginning
“She is not naked as she is She is naked as the spectator sees her” -John Berger
“The naked body has to be seen as an object in order to be a nude.” -John Berger
antinomy? antinomy |anˈtinəmē| noun a contradiction between two beliefs or conclusions that are in themselves reasonable; a paradox. ORIGIN late 16th cent. in the sense a conflict between two laws.
banality? banal ( ˈbānl ) adjective so lacking in originality as to be obvious and boring : songs with banal, repeated words. DERIVATIVES; banality |bəˈnalitē|
Do your feelings change between looking at male vs. female nudes? • How are male nudes portrayed differently, if at all?
“creating a static image of sexual nakedness” -John Berger