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Exploring Digital Comics and Objectivity in Media: A Critical Analysis

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16 diapositives · 304 Views · Sep 15, 2014

This course module focuses on the critical analysis of digital comics and the evolving notion of objectivity in mass media. Students will explore key issues such as the effectiveness of micropayment models for content, the transition of comics into immersive environments, and the impact of internet memes. Additionally, the course examines the historical progression of journalism towards objectivity, its challenges, and the rise of opinion journalism amid entertainment-driven news. Participants will engage in group assignments while analyzing the implications of these trends on media consumption and production.

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  1. CCT 300:Critical Analysis of Media Class 7: Digital Comics Examples/ Objectivity in the News

  2. Administrivia • Groups for final assignment to be set today in lab – be in the right place

  3. Issues with Micropayments • “Nickeled and dimed” vs. subscription services - other services • “bike shed” effect - smaller purchases are more rational than large, strangely enough • Stability of micropayment services • Transaction handling costs

  4. Digital Comics • Can include immersive and interactive environments • May even include games (e.g. Myst as interactive picture-dependent webcomic?) • Not as bound to page requirements (e.g., I Can’t Stop Thinking scrolling example) but many web comics are still traditionally framed (Manovich’s notion of cultural conventions – things stick around…) • Diversity of genres, explosion of options (http://www.thewebcomiclist.com/)

  5. Related Direction: Flash-based Animation • Why are Flash-like animations comic-like in nature? • Examples: Weebl’s Stuff, Homestar Runner

  6. Promotion and Financing • Often become Internet memes (http://www.dipity.com/user/tatercakes/timeline/Internet_Memes/embed_tl?fs=1) • Alternative financing strategies used – free content supported by ads, merchandise • Niche media that may not work in mass culture (e.g., Quizno’s use of Spongemonkeys in mainstream ads…)

  7. Objectivity in Mass Media • Early history of news - localized press, often blatantly biased and controlled by power • Objectivity emerges as journalistic imperative - “just the facts” reporting

  8. Why objectivity? • Response to corporate or government censorship • Democratization of access - “fair access” efforts • Economic incentive - just the facts reporting offends less people, broadening market base • Increases perceived truth

  9. Problems with Objectivity • Neutral vs. investigative; fair vs. pointed - a hard balance • An excuse for lazy reporting - one side, other side, no fact-checking or attempt at synthesis • If one side is considerably more powerful (e.g., government, corporation) - they can hide or obfuscate facts • Big problems have multiple opinions - reduction to false dichotomy does not help

  10. Example: Stewart on Crossfire • Crossfire: left/right dichotomy - often devolves into screaming talking heads • Jon Stewart’s opinion and its ramifications

  11. Ex: Investigative Reporting • Transparent subjectivity - biases and framing known and part of dialogue • Encourage not just factual regurgitation but analysis, argument and expertise • Can be popular - but also can be expensive

  12. Ex: Al-Jazeera • Satellite television based in Qatar • Broke through traditional Arab language TV, much of which was centrally controlled • Managed to alienate both Middle Eastern and American power bases - but very popular on the ground • Caused considerable change and innovation in Arab-language TV because of its strident commitment to objectivity

  13. Opinion Journalism • Move to news with particular point of view • Ex: Lou Dobbs on CNN - all anti-immigration, all the time? • Opinion talk shows (radio and TV) - related to hard news, but bias is clear and unfiltered

  14. News as Entertainment • News no longer as loss leader but as driving economic force • News must be compelling, hold interest, entertaining • Effect on set design (e.g., CNN’s Situation Room, others?) • Effect on news quality and choice?

  15. Example: Network (1976) • Film predicted the takeover of “hard news” by entertainment concerns • Changes in fictional Howard Beale show disturbingly representative of today’s cable news networks in particular • FYI: following clips do contain cursing…

  16. Next week… • Formation of groups - be in the right lab! • Work time on comic creation, finishing off media genre analysis, etc.