1 / 19

MUS1100 Exploring Music World Music Semester 1, 2006

MUS1100 Exploring Music World Music Semester 1, 2006. Middle Eastern Music with Dr. Made Mantle Hood. Middle East. Countries: Turkey, Iran, Iraq, Egypt, Morocco, Libya, Algeria, Lebanon, Israel Turkmenistan, Uzbekistan, Tajikistan, Kazakhstan, Xingjian (W. China).

cree
Télécharger la présentation

MUS1100 Exploring Music World Music Semester 1, 2006

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. MUS1100 Exploring Music World MusicSemester 1, 2006 Middle Eastern Music with Dr. Made Mantle Hood

  2. Middle East • Countries: • Turkey, Iran, Iraq, Egypt, • Morocco, Libya, Algeria, Lebanon, Israel • Turkmenistan, Uzbekistan, Tajikistan, Kazakhstan, • Xingjian (W. China)

  3. Middle East: Historical Background • II. Brief Historical Background: Three Periods • Development (6th - 13th Cen.) • Greek music theory forms foundation for amalgamation of existing Persian, Arabic and Turkish musics • formalization of rhythmic and melodic modes

  4. Middle East: Historical Background • Conservation (15th-19th Cen.) • musical stagnation from the Ottoman Empire dominance • political upheaval in the West and migration from Spain • Modern Period (19th Cen. - present) • decline in traditional instruments from Western and non-Arabic influences • rise in Nationalism and the 1939 Cairo Conference revives traditional musical forms

  5. Middle East: Musical characteristics • III. Music General: • singing of fine poetry • sophisticated melodic improvisation • long, complex rhythmic patterns • Makam– similar to raga in India...a modal system based on hierarchy of tones • Usul– similar to tala in India...a rhythmic system with highly developed meters typically in triple meters.

  6. Strings: Oud • Strings: • oud– fretless plucked lute w/ large body and short neck • pine wood sounding board • three resonator holes • ornate iconography • inlaid mother of pearl, ivory and ebony wood. • double course strings

  7. Strings: Saz • Saz– long-necked plucked lute with tear-drop shaped body, pine wood sounding board without sounding hole • corpus resonating hole • movable string frets • 7 strings, double course • cherry bark or plastic plectrum Track 3 – Turkish classical taksim (solo improv)

  8. Video: Turkey Saz solo – Tourism and Folklore Education Centre Troupe • (1985) Asian Festival of Traditional Music and Dance – Tokyo, Japan • beginning – soloist uses two-handed hammering on-off technique in free rhythm • middle – a metered dance piece in 9/4 time • end – improvisatory section again in free rhythm

  9. Video: Turkish Spoon Dance • Kasik Spoon Dance – southern Turkey • from the Medierranean Sea • two spoons in each hand as percussion instrument • kasik ancestors are believed to have invented the art of making Yoghurt • 9-beat asak meter [2+2+2+3] • accompaniment from nay wind instrument, saz, and darabuka or dumbek

  10. IV. Instruments continued – Drums, Winds • frame drum • round wooden frame • 1-3” depth – 12-20” in diameter • goat, cow, fish or snakeskin head

  11. Drums: frame drums • rik– small tabournine frame drum with ‘finger bells’ added to the rim and notch for the hand

  12. Drums: kettle drum • kettle drum – bowl shaped, bronze metal body with goatskin drum head • cross pattern lacing, military association Track 5 – Yemeni Drumming from the Hadramawt

  13. Drums: goblet drums • dumbek– single headed goblet drum, ceramic, copper and metal body • integrated tabourine interior

  14. Drums: dumbek

  15. Winds: Nay Winds: nay– • end-blown flute with six holes in front and 1 thumb hole in back • air passes over sound hole similar to traverse flute but with ‘bottle neck’ technique

  16. Winds: Shenay • shenay– double reed end blown oboe-like wind instrument w/ 6 holes • wooden body • reed mouth piece • brass bell Track 19 – Qurba ‘bagpipe’ dance at a wedding in Oman

  17. Video: Tea House Performance – Eastern Turkey Itinerate musicians called asik, meaning ‘love in Arabic • Musicians wander from town to town • Sing of heroic deeds of the 16th cen. Intertwined with improvisational social commentary, practical advise, and humor. • Song contests that forbid the use of consonants such as m, p, or b. • All-male audience drinks sweet tea, smoke cigarettes

  18. Video: Sema Dance, Sufi Ritual – Central Anatolia “Whirling Dervishes” perform 18th Cen. Dance called ‘Suzidilara Pesrevi’ • Sufi Muslims of the Mevlevi sect • annual dance honoring 12th Cen. Poet and philosopher Mevlana Rumi • Performed on anniversary of his death • Dance • Depicts religious trance-like ecstasy where dancers gracefully spin counterclockwise • Sun, death, tombstone, palms of the hands

  19. Middle East: Summary • Many musical instruments of the Middle East are forbearers of modern guitars and lutes • Strings are the medium for modally driven Instrumental and vocal music that draws from the makam modal system. • Improvisation plays a dominant role for both amateur and professional musician.

More Related