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Non-Objective Art

Non-Objective Art. FOLD A MINI BOOK Cover: CREATIVE title and design Page 1. Non-objective art is Page 2. Three non-objective artists Pages 3-5 What makes each artist different (explain characteristics of their artwork) Page 6. Emphasis is…

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Non-Objective Art

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  1. Non-Objective Art FOLD A MINI BOOK Cover: CREATIVE title and design Page 1. Non-objective art is Page 2. Three non-objective artists Pages 3-5 What makes each artist different (explain characteristics of their artwork) Page 6. Emphasis is… Page 7. You can show emphasis through these five ways: AND your first and last name Looking at Art in a New Way

  2. Q. Which Piece is Non-Objective Art?

  3. A. All of them. • What is non-objective art? • Is it Abstract Art? Oceanic Tendencies by Shawn McNulty

  4. What is Non-Objective Art? • Art that is not representational, containing no recognized figures or objects. • Art whose subject matter does not resemble an object. • Non-objective art ranges between Abstract Expressionist artists to Minimalists or Op-artists.

  5. Is it Abstract Art? • A work of art created to NOT represent anything realistic is called Non-objective. • A non-objective work is not only abstract, it is made up of some of the Elements of Art without giving any importance to the subject. • Abstract art is using a realistic object and transforming its appearance.

  6. Who are the non-objective artists? • Wassily Kandinsky 1866-1944 • Piet Mondrian 1872-1944 • Jackson Pollock 1912-1957

  7. Wassily Kandinsky • 1866-1944 • As one of the first explorers of the principles of nonrepresentational or “pure” abstraction • Created the first totally abstract work in modern art Composition VI

  8. Wassily Kandinsky • Theorist and Teacher • Became more geometric later in his career Review: what is “geometric?” Composition VIII Composition IX

  9. Piet Mondrian • 1872-1944 • Abstract Style based on form and color. • Horizontal and Vertical lines forming rectangles Broadway Boogie Woogie

  10. Piet Mondrian • Cubist Influence • Jazz Rhythms • Founded the De Stijl Composition with Color Areas

  11. Piet Mondrian Composition A: Composition with Black, Red, Gray, Yellow and Blue 192 Composition No. II Blanc Juane

  12. Jackson Pollock • 1912-1957 • Surrealism Influence • Picasso Influence Untitled Convergence

  13. Jackson Pollock • Developed own technique • Large Scale • Spontaneous and energetic

  14. Jackson Pollock Blue Poles: Number II Full Fathom Five Shimmer Substance

  15. to accent the appearance, to underline, to put in bold, make something more significant or important. • Creating a focal point http://dreamartteacher.com/artplans.htm

  16. Emphasis • Principle of design • “Center of Interest” • Focal Point • Dominance and Influence • Contrast, Isolation, Location, Convergence and Unusualness

  17. To show emphasis change… • Size • Shape • Contrast • Color • Weight (isolation)

  18. Project Guidelines • Create a non-objective piece of art • Remember to paint thinking about emphasis • Use one color theme (ex. Primary, secondary, warm, cool, monochromatic) • Cut into pieces of different widths • Reassemble to show emphasis on an specific area of the sculpture

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