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Japan. Gardner's Art through the Ages, Concise Edition by Fred Kleiner. Chapter Eighteen. Prepared by Kelly Donahue-Wallace Randal Wallace University of North Texas. Japan. Dates and Places : 10,500BCE to present Japanese archipelago People : Shinto Buddhism
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Japan Gardner's Art through the Ages, Concise Edition by Fred Kleiner Chapter Eighteen Prepared by Kelly Donahue-Wallace Randal Wallace University of North Texas
Japan Dates and Places: 10,500BCE to present Japanese archipelago People: Shinto Buddhism Stratified social structure Influence of China SESSHU TOYO, splashed-ink (haboku) landscape, Muromachi period, 1495. Fig. 18-11.
Japan Themes: Guardians Buddhist figures Secular themes Landscape Forms: Chinese influence Idealized figures Fine line, flat color Conceptual approach SEN NO RIKYU, Taian teahouse, Myokian Temple, Momoyama period, ca. 1582. Fig. 18-1.
Japan Haniwa warrior, late Kofun period, fifth to mid-sixth century. Fig. 18-3.
Japan Example: Kofun Period Unglazed ceramic haniwa sculpture Placed on tumuli Different themes Painted Spiritual barrier to separate deceased and living Haniwa warrior, late Kofun period, fifth to mid-sixth century. Fig. 18-3.
Japan TORI BUSSHI, Shaka triad, Horyuji kondo, Asuka period, 623. Fig. 18-4.
Japan Example: Nara Period Buddhism introduced Chinese prototypes Bronze sculpture: Shaka (Buddha) and bodhisattvas Mudra, mandorla Votive offering from Empress TORI BUSSHI, Shaka triad, Horyuji kondo, Asuka period, 623. Fig. 18-4.
Japan Horyuji, Nara Prefecture, Nara period, ca. 680. Fig. 18-5.
Japan Example: Nara Period Asuka Buddhist temple complex Kondo/Golden Hall Columns, brackets, projecting eaves, ceramic tile roof Pagoda for relics Horyuji, Nara Prefecture, Nara period, ca. 680. Fig. 18-5.
Japan Genji Visits Murasaki, Tale of Genji, Heian period, first half of 12th century. Fig. 18-8.
Japan Example: Heian Period Narrative scroll painting Story of courtly life Suggest three-dimensional space by tilted plane, diagonals Flat color, outlines Conventional figures Genji Visits Murasaki, Tale of Genji, Heian period, first half of 12th century. Fig. 18-8.
Japan Portrait statue of the priest Shunjobo Chogen, Kamakura period, early 13th century. Fig. 18-9.
Japan Example: Kamakura Period Age of Shoguns Portrait of leader of redevelopment High naturalism, individualization = Kei School sculpture Inlaid eyes Portrait statue of the priest Shunjobo Chogen, Kamakura period, early 13th century. Fig. 18-9.
Japan HASEGAWA TOHAKU, Pine Forest, Momoyama Period, late 16th c. Fig. 18-13.
Japan Example: Momoyama Period Age of the Shoguns Painted screen byobu Ink monochromatic painting Contrasting brushwork Suggests illusory nature of reality, meditative HASEGAWA TOHAKU, Pine Forest, Momoyama Period, late 16th c. Fig. 18-13.
Japan SUZUKI HARUNOBU, Evening Bell at the Clock, Edo period, ca. 1765. Fig. 18-16.
Japan Example: Edo Period Colored woodcut print Multiple blocks for colors and lines Ukiyo-e = “pictures of a floating world” Transience and ephemeral life Genre themes SUZUKI HARUNOBU, Evening Bell at the Clock, Edo period, ca. 1765. Fig. 18-16.
Japan KATSUSHIKA HOKUSAI, The Great Wave off Kanagawa, Edo period, ca. 1826–1833. Fig. 18-17.
Japan Example: Edo Period Colored woodcut print Printmakers achieve great fame Experiment with western perspective, western materials Japanese powerful graphic form KATSUSHIKA HOKUSAI, The Great Wave off Kanagawa, Edo period, ca. 1826–1833. Fig. 18-17.
