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Jazz Evolution: Duke Ellington's Innovative Musical Legacy

Explore the fusion of musical styles in New Orleans at the turn of the 20th century, influencing Duke Ellington's unique approach to jazz. Discover the blend of folk, popular, and light classical music that shaped his diverse arrangements, film scores, romantic ballads, and swinging instrumentals. Dive into Ellington's distinctive arranging techniques, from block scoring to voicing across sections, showcasing his ability to mix improvised and prewritten elements seamlessly and create a lasting impact on jazz evolution.

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Jazz Evolution: Duke Ellington's Innovative Musical Legacy

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Presentation Transcript

  1. Chapter Eighteen Improvisation and Form

  2. New Orleans at the Turn of the 20th Century • A Blending of 3 Musical Styles: • Folk MusicCeltic-English-French African-American (Slave Songs) • Popular Music“Gay 90’s” Songs Vaudeville Songs Minstrel Songs • Light Classical Music (Parlor Songs)Operettas Chautauqua

  3. New Orleans at the Turn of the 20th Century • Instrumental/Stylistic Influences: • Military Bands(cheap musical instruments) • Ragtime(syncopation) • The Blues(call and response)

  4. Important Musical Elements in Jazz • Vocal Inflections • “Blue” notes • Bending pitches (melismas) • Word painting

  5. Important Musical Elements in Jazz • Rhythmic Elements: • Steady Tempo (Pulse) • Syncopation • Repetition of Short Patterns (riffs) • Call and Response

  6. Swing –– Early 30’s to Late 40’s Big Bands • Fletcher Henderson • Duke Ellington • Count Basie • Benny Goodman • Dorsey Brothers • Glenn Miller Combos • Art Tatum • Lionel Hampton • Ben Webster • Lester Young • Jonah Jones • Django Reinhardt

  7. Edward Kennedy “Duke” Ellington[1899-1974] • Pianist • Composer/Arranger • Band Leader

  8. Diversity and Breadth of his Style:Characteristics of his Music • Arrangements • Film Scores • Romantic Ballads • Exotic Works • Concert Works • Sacred Works • Concerto-Type Works • Swinging Instrumentals with Jazz Solos

  9. Duke’s Arranging is Unique • Diversity of themes within a single piece • Block Scoring • Voicing Across Sections • Wordless Vocals • Parts written for unique capabilities of musicians • Mixture of improvised parts with prewritten parts

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