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Ear, Hearing and Equilibrium

Ear, Hearing and Equilibrium. Exercise 27 BI 232. Introduction. Functions: Hearing and Equilibrium Mechanoreception : because the ear receives mechanical vibrations and translates them into nerve impulses Static equilibrium : able to determine nonmoving position

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Ear, Hearing and Equilibrium

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  1. Ear, Hearing and Equilibrium Exercise 27 BI 232

  2. Introduction • Functions: Hearing and Equilibrium • Mechanoreception: because the ear receives mechanical vibrations and translates them into nerve impulses • Static equilibrium: able to determine nonmoving position • Dynamic equilibrium: motion is detected

  3. Hearing

  4. Vestibular Portion Cochlear Portion

  5. Middle Ear Ossicles (Bones) Incus Malleus Stapes

  6. Vestibular Complex

  7. Inner Ear Composed of three areas: Cochlea Vestibule Semicircular Ducts (canals)

  8. Labyrinth These can be stimulated by gravitational forces in the vestibule, turning movements in the semicircular canals or sound waves in the cochlea Cochlea- snail shaped Contains sensory receptors for hearing, known as the organ of Corti (spiral organ) Sensory hair cells are found in all receptor organs of the inner ear which contain long microvilli, called stereocilia

  9. The stapes strikes the oval window of the cochlea

  10. Cochlea Uncoiled vestibular duct oval window helicotrema round window tympanic duct Cochlear duct containing the Organ of Corti • Stapes pushes on fluid of vestibular duct at oval window • At helicotrema, vibration moves into tympanic duct • Fluid vibration dissipated at round window which bulges • The central structure is vibrated (cochlear duct)

  11. Cochlea Vestibulocochlear nerve sends impulses to the auditory cortex of the temporal lobe of brain and interpreted as sound

  12. Organ of Corti

  13. Vestibule • Consists of the utricle and saccule • Involved in the interpretation of static equilibrium and linear acceleration • Regions known as maculae, which consist of hair cells with stereocilia and a kinocilium grouped together in a gelatinous mass called otolithic membrane and weighted with calcium caronate stones called otoliths

  14. Vestibule • As the head is accelerated or tipped by gravity, the otoliths cause the cilia to bend, indicating that the position of the head has changed. • Visual cues play a part in this also • When visual and vestibular cues are not synchronized, a sense of imbalance or nausea can occur

  15. Inner Ear • Semicircular canals contain sensory receptors called crista and detect change in acceleration or deceleration. • Dynamic equilibrium • 3 semicircular ducts, each at 90 degrees to one another • Filled with endolymph and has an expanded base called an ampulla

  16. Ampulla of the semicircular canals • Inside are clusters of hair cells and supports cells (crista ampullaris) • These cells have stereocilia and a kinocilium enclosed in a gelatinous material called the cupula. • As the head is rotated, the endolymph pushes pushes against the stereocilia.

  17. Types of Hearing Loss • Conductive hearing loss occurs when sound is not conducted efficiently through the outer ear canal to the eardrum and the bones of the middle ear. • Sensorineural hearing loss occurs when there is damage to the inner ear (cochlea) or to the nerve pathways from the inner ear to the brain.

  18. Weber Test • Ring tuning fork and place on center of head. Ask the subject where they hear the sound. • Interpreting the test: • Normally, the sound is heard in the center of the head or equally in both ears. • Sound localizes toward the poor ear with a conductive loss • Sound localizes toward the good ear with a sensorineural hearing loss

  19. Rinne Test • Place the vibrating tuning fork on the base of the mastoid bone. • Ask patient to tell you when the sound is no longer heard. • Immediately move the tuning fork to the front of the ear • Ask the patient to tell you when the sound is no longer heard. • Repeat the process putting the tuning fork in front of the ear first

  20. Rinne Test • Normally, someone will hear the vibration in the air (in front of the ear) after they stop hearing it on the bone • Conductive hearing loss: If the person hears the vibration on the bone after they no longer hear it in the air.

  21. Bing Test • Similar to the Rinne Test • Strike the tuning fork and place it on the mastoid process. • With your other hand close off the auditory canal with pad of finger. • A person with normal hearing or one with sensorineurial hearing loss will hear the sound better when ear canal is closed. • A person with conductive hearing loss will not notice a change in sound

  22. Sound Location • Have lab partner sit with eyes closed. • Strike the tuning fork with a rubber reflex hammer above head. • Have partner describe to you where the sound is located. • Try the following locations: behind head, right side, left side, in front of head, below chin

  23. Postural Reflex Test • Unexpected changes that move the body away from a state of equilibrium cause postural reflexes to compensate for that change. • Important for maintaining the upright position of the body. • Negative feedback mechanisms • Find an area w/o obstacles • Stand on tiptoes and read lab manual • Lab partner should give a little nudge to left or right (not too hard)

  24. Barany’s Test • Tests visual responses to changes in dynamic equilibrium. • Place subject in a swivel chair with four or five students close by. • Subject sits in chair and tilts head forward about 30 degrees • Spin the chair about 10 times • Notice twitching of the eyes (nystagmus) after stopping.

  25. Romberg Test • Tests static equilibrium • Subject stands with back to the wall. • Don’t lean on wall • Stand for 1 minute and have partner watch for swaying • Do the same exercise again but have subject close eyes

  26. The End • Identify structures on models • View and identify structures on cochlea slides • Make sure that you understand the tests • What cranial nerve is being innervated with the tests performed in lab?

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