90 likes | 256 Vues
This exploration delves into the complex interplay of minstrelsy, cultural appropriation, and audience reception in American media. By analyzing figures like T.D. Rice and Snoop Dogg, we examine how racial codes are commodified and how black labor reflects and challenges societal norms. The discussion includes themes of cultural power, negotiation, and social struggle, revealing how minstrelsy serves as a lens for understanding the dynamics of hegemony and resistance within the context of media encoding and decoding.
E N D
Media Encoding Ritual Consumption Media Appropriation Audience Decoding Social Struggle “Hegemony”/ Acceptance Negotiation Resistance Code Map Template “Common Sense”/Cultural Power
A Deep Code Individualism Work Prosperity Intergenerational Progress
Minstrelsy T.D. Rice as “Jim Crow”
Minstrelsy as Social Struggle When I got out I hit a man His name I now forgot, But dere was nothing left ‘Sept a little grease spot —Jim Crow Verse I went down de riber, I didn’t mean to stay, But dere I see so many galls, I couldn’t get away —Jim Crow Verse
What did it mean when a black man played a minstrel? William Henry Lane “Master Juba”
Black “labor functions as the spectacular mirror [and foil] of [an] ideal consuming [american]” —Mehaffy (pp. 136-137)