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Sonnets and Claude McKay

Sonnets and Claude McKay. Warm-Up. What did you learn about the sonnet yesterday? What do you know about Jamaica? What do you want to know? (KWL chart).

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Sonnets and Claude McKay

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  1. Sonnets and Claude McKay

  2. Warm-Up • What did you learn about the sonnet yesterday? • What do you know about Jamaica? What do you want to know? (KWL chart)

  3. We are going to continue our examination of the sonnet in this lesson. Now, we are going to read three sonnets by Jamaican-American poet Claude McKay and see how the form can be used in a different time and place.

  4. Claude McKay • Mckay lived from 1889-1948 and was born in Clarendon, Jamaica. • In Jamaica, he trained to be a carriage driver and cabinet maker, but actually worked as a police officer as he started writing poetry. • (pic from wikipedia)

  5. Claude Mckay • Mckay immigrated to the USA in 1912 to study at the Tuskegee Institute • He later moved to Harlem and became a central figure in the Harlem Renaissance • Poetry • Novels • Biographies • Upon arriving in the United States, Mckay has to face strict “Jim Crow” laws and racial violence that did not exist in his home country.

  6. Jamaica at this time • At this time, Jamaica was a British colony • 1665-1962 • The vast majority of Jamaicans are of African ancestry. Until the abolishment of slavery in 1834, plantation cultivation of sugar and sugar products made England rich. • During Mckay’s era, the population of Jamaica was about 80% black and 15% white.

  7. America at this time • Segregation and Jim Crow laws • “Great Migration” of African Americans from the rural south to the urban north and west. • Race riots and lynchings • 1919 – The “Red Summer” • http://www.youtube.com/watch?v=2OytIIur3Ck

  8. Mckay in his own words • “The whites at home constitute about 14% of the population only and they generally conform to the standard of English respectability. The few poor ones accept their fate resignedly and live at peace with the natives. The government is tolerant, somewhat benevolent, based on the principle of equal justice to all” (Passion 48).

  9. Claude Mckay in his own words • “I am a black man, born in Jamaica, B.W.I., and have been living in America for the last six years. During my first year’s residence in America I wrote the following group of poems. It was the first time I had ever come face to face with such manifest, implacable hate of my race, and my feelings were indescribable. I sent them so • you may see what my state of mind was at the time. I have written nothing similar to them since and don’t think I ever shall again” (Passion 48).

  10. Mckay in his own words • “I had heard of prejudice in America but never dreamed of it being so intensely bitter; for at home there is also prejudice of the English sort, subtle and dignifyed, rooted in class distinction—color and race being hardly taken into account. It was such an atmosphere I left for America. . . . In the South daily murders of a nature most hideous and revolting, in the North silent acquiescence, deep hate half-hidden under a Puritan respectability, oft flaming up into an occasional lynching—this ugly raw sore in the body of a great nation. (Passion 48)

  11. Pairwork • Paraphrase Mckay’s quotes into your own words.

  12. Individual Response • Write a letter on behalf of Mckay to his family in Jamaica. Explain how racism is different in Jamaica and in America and what challenges he is facing as a black man in the USA in the 1910’s.

  13. “If We Must Die” If we must die, let it not be like hogs Hunted and penned in an inglorious spot While round us bark the mad and hungry dogs, Making their mock at our accursed lot. If we must die, O let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead! O kinsmen! We must meet the common foe! Though far outnumbered let us show us brave, And for their thousand blows deal one deathblow! What though before us lies the open grave? Like men we’ll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back! (McKay, Passion 124)

  14. “The Lynching” His Spirit in smoke ascended to high heaven. His father, by the cruelest way of pain, Had bidden him to his bosom once again; The awful sin remained still unforgiven. All night a bright and solitary star (Perchance the one that ever guided him, Yet gave him up at last to Fate’s wild whim) Hung pitifully o’er the swinging char. Day dawned, and soon the mixed crowds came to view The ghastly body swaying in the sun. The women thronged to look, but never a one Showed sorrow in her eyes of steely blue. And little lads, lynchers that were to be, Danced round the dreadful thing in fiendish glee. (McKay, Passion 122)

  15. “America” Although she feeds me bread of bitterness, and sinks into my throat her tiger’s tooth, stealing my breath of life, I will confess I love this cultured hell that tests my youth. Her vigor flows like tides into my blood, Giving me strength erect against her hate, Her bigness sweeps my being like a flood. Yet, as a rebel fronts a king in state, I stand within her walls with not a shred Of terror, malice, not a word of jeer. Darkly I gaze into the days ahead, And see her might and granite wonders there, Beneath the touch of Time’s unerring hand, Like priceless treasures sinking in the sand. (McKay,Passion126)

  16. Groupwork • Step 1 : each scholar receives one of three poems • Step 2: scholars group with 1 or 2 other students with same poem and complete analysis sheet together • Step 3: scholars group with 2 students with other two poems according to letter on poem handout • Step 4: each member shares their poem and analysis with group • Step 5: each group collaborates to complete analysis chart

  17. Individual Response • These three poems all address the same theme and relate to the same message. What is the universal message in these poems in your opinion? Which poem is the most effective? Use textual examples!

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