1 / 60

Edoardo Santangelo | Humanitarian documentary photographer

Edoardo Santangelo is a Humanitarian documentary photographer oriented towards the investigation of social contemporary issues, with a focus on international development and humanitarian emergencies. <br>For more details:- https://edoardosantangelo.com/i-see-human-stories<br>

sharmaroshan0202
Télécharger la présentation

Edoardo Santangelo | Humanitarian documentary photographer

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. v

  2. LOCATION (COVER AND BELOW) Indian Himalayas I SEE HUMAN STORIES 2

  3. TABLE OF CONTENTS .04 EDOARDO SANTANGELO .07 SETTING THE NARRATIVE .13 WHY .15 HOW .20 ENERGY ACCESS CASE STUDY .32 PHOTOSTORY SAMPLE .42 WORK SAMPLE 3

  4. HUMANITARIAN PHOTOGRAPHER EDOARDO SANTANGELO Edoardo Santangelo is a humanitarian documentary photographer oriented towards the investigation of social contemporary issues, with a focus on international development and humanitarian emergencies. Using his background in Economics and his master in Energy and International Development, he focuses on researching and documenting the lived experiences of rural settlements and displaced communities, such as refugee camps and internally displaced people. With a strong passion for human interest stories and a diploma in Documentary Photography, Edoardo has long-term experience in producing compelling photoreportages for international non-governmental organizations (NGO), UN and International agencies in a range of fragile and vulnerable settings. Edoardo has solid expertise in the international development sector. He has long- term experience with GIZ in India, and has worked as a humanitarian energy specialist for Practical Action - a British international non-governmental organization (NGO) - where he embedded documentary photography as an innovative and complementary ethnographic research method to amplify community voices, develop evocative impact case studies and depict the evidence base for intervention. Before dedicating himself entirely to photography, Edoardo worked for General Electric in Scotland for almost five years. Edoardo is fluent in English, Spanish and Italian and has extensive experience in Asia (Nepal, India and Bangladesh), West Africa (Togo and Burkina Faso) and East Africa (Kenya and Rwanda). His photos have been published in various editions of the Poor People Energy Outlook and used in numerous humanitarian energy publications, workshops and conferences worldwide to document the lived conditions of refugees and internally displaced people in Nepal, Kenya, Burkina Faso and Rwanda. His photographic work is driven by the need of raising awareness of urgent humanitarian issues and building the case for action, engendering empathy and recognition. He is devoted to produce persuasive images that convey stories from the bottom-up and give voice to those who otherwise would not have it, allowing a better understanding of the human condition in vulnerable contexts. WWW.EDOARDOSANTANGELO.COM I SEE HUMAN STORIES 4

  5. 5

  6. Visual storytelling is essential for developing impact case studies and dissemination activities I SEE HUMAN STORIES 6

  7. LOCATION (LEFT) Kakuma Refugee camp Kenya SETTING THE NARRATIVE PRODUCTION OF COMPELLING, HIGH QUALITY & COHERENT PHOTOREPORTAGES. LOCATION (BELOW) Makueni County Kenya • Provide visual representations of project outcomes. • Expand the global reach of the organization. • Strengthen the relationship with existing partners. • Create an appetite for onward funding. • Depict the case for action and the evidence base for intervention. 7

  8. Disseminate evocative images that support stories from the bottom-up and give voice to those who otherwise would not have one. LOCATION (RIGHT) Kharbang village Nepal LOCATION (BELOW) Goudoubo Refugee Camp Burkina Faso Grassroots photo stories have the potential to shift develop- ment approaches by amplifying community voices and build- ing their capacity for communication. People-centered photos convey persuasive stories in a co- herent and integrated manner that is clear, concise, and in- spires audiences to take action, engendering recognition and empathy. I SEE HUMAN STORIES 8

  9. 9

  10. LOCATION Focus group discussion in Baglung Bazaar Nepal I SEE HUMAN STORIES 10

  11. 11

  12. I SEE HUMAN STORIES 12

  13. WHY A PHOTOGRAPH CAN CONVEY A MESSAGE, CAN TRIGGER STAGGERING EMOTIONS, MEMORIES AND REACTIONS ALMOST INSTANTLY. IT CAN TELL A STORY IN SECONDS. LOCATION (OTHER PAGE) Indian Himalayas LOCATION (BELOW) Kame village Togo • To enhance the profile and visibility of the organization by strengthening its visual identity and external recognition. • Contribute to knowledge capture and dissemination by offering an immediate and unbiased representation of the work delivered. • Strengthen community engagement initiatives and inclusive participatory approaches by working directly with communities on their inputs into technical reports. Research participants would feel actively involved in the investigation, in a collaborative, cathartic and empowering manner. The research findings will also be actively constructed, not passively received. • Translate research findings into evocative images, enriching interpretations of emerging data, allowing a better understanding of nuanced expressions of communities and reducing the likelihood of misrepresentation. • Provide a neutral and impartial platform to interpret and contextualize qualitative studies, allowing a better understanding of the human condition. 13

  14. PHOTOGR APHY Edoardo Santangelo LOCATION I SEE HUMAN STORIES Nepal 14

  15. LOCATION (LEFT) Kigeme refugee camp Rwanda HOW PRODUCTION OF HIGH RESOLUTION AND COHERENT PHOTOS, INCLUDING CAPTIONS AND DESCRIPTIONS TO IDENTIFY LOCATIONS, PROGRAM SITES. LOCATION (ABOVE) Indian Himalayas • Each photo can be used as a standalone photo story and homogenous photo-stories (comprising between 7-10 photos) which will be produced to highlight any key programmatic work or uniform story. • Consistent photographic composition and aesthetic style across all the images, • Applying the same rigorous editing and post-processing workflow to ensure a Homogeneous, coherent and consistent final output. 15

  16. LOCATION Sunamganj district - Bangladesh I SEE HUMAN STORIES 16

  17. 17

  18. The images will promote the vision, mission, and strategic goals of the organization while being considerate of gender, culture and other diverse sensitivities. I SEE HUMAN STORIES 18

  19. The photos will also be action-oriented, have universal appeal and will be useable for diverse audiences and platforms: LOCATION (OTHER PAGE) Baglung District Nepal LOCATION (ABOVE) Barguna Bangladesh • Fundraising campaigns • Social media • Marketing materials • Branding Initiatives • Press packages • Blog posts • Website • Advocacy materials (e.g infographics, factsheets) • Publications and annual reports • Various communications and publishing outputs • Conferences and workshops 19

  20. CASE STUDY ENERGY ACCESS I SEE HUMAN STORIES 20

  21. CASE STUDY ENERGY ACCESS 21

  22. LOCATION (PREVIOUS PAGE) Baglung Nepal ENERGY ACCESS CASE STUDY THIS PHOTOREPORTAGE AIMS TO DEPICT THE COMMUNITY LIVED EXPERIENCES WITH REGARDS TO ENERGY. LOCATION (BELOW) Goudoubo Refugee Camp Burkina Faso • The energy access levels and energy backgrounds, including the needs, priorities and expectations of the community. • The nuanced energy needs and priorities of different community dimensions (i.e. female, youth, elderly, households, enterprises, community services). • Energy availability and usage, including diurnal vs nocturnal variations. • The role of everyday energy objects and appliances in people’s lives. I SEE HUMAN STORIES 22

  23. LOCATION Haho prefecture Togo • The effects of energy on livelihood opportunities, such as income generating activities, productive uses and community events. • The impacts of energy on well-being, identity and heritage through an improved quality of lighting. • Community economic growth as markets and business can prolong their activities after the sunset, including informal exchanges through which firewood and food circulate. • Different living patterns between the households with energy access and those without it (e.g. safety, mobility, economic activity, social practices). 23

  24. I SEE HUMAN STORIES 24

  25. LOCATION Busia County Kenya 25

  26. LOCATION Kame village Togo I SEE HUMAN STORIES 26

  27. 27

  28. I SEE HUMAN STORIES 28

  29. LOCATION Chachrit village India 29

  30. LOCATION (ABOVE) Kakuma Refugee camp Kenya LOCATION (OTHER PAGE) Kenya, Makueni county I SEE HUMAN STORIES 30

  31. 31

  32. PHOTOSTORY SAMPLE FOOD FOR FUEL I SEE HUMAN STORIES 32

  33. PHOTOSTORY SAMPLE FOOD FOR FUEL 33

  34. I SEE HUMAN STORIES 34

  35. FOOD FOR FUEL TRADING FOOD FOR FUEL - KAKUMA REFUGEE CAMP IN KENYA. Food and firewood are central to the livelihoods of the inhabitants of Kakuma Camp as contact between the refugees and local community, the Turkana, often entails the exchange of these two items. This photo-story portrays refugees bartering sorghum received through distribution for charcoal. Turkana women walk through the streets of the camp with charcoal on their heads, waiting for refugees willing. Established in 1992 and with a population of approximately 190.000 people, Kakuma is the world’s 4th largest refugee camp. Food and firewood are distributed for free and on a regular basis by the UNCHR (the UN Refugee Agency) and the WFP (World Food Programme). However, it is not uncommon that refugees run out of firewood, especially in winter when they use it for cooking and heating purposes. In these circumstances, refugees have the option to buy more from the Turkana, who gather wood from their lands and sell the bundles in the camp. These informal food for fuel exchanges drastically reduce the physical and time burden for the women who are usually responsible for this activity in the camp. 35

  36. I SEE HUMAN STORIES 36

  37. 37

  38. I SEE HUMAN STORIES 38

  39. 39

  40. I SEE HUMAN STORIES 40

  41. 41

  42. WORK SAMPLE I SEE HUMAN STORIES 42

  43. WORK SAMPLE 43

  44. LOCATION (PREVIOUS PAGE) Kakuma Refugee camp Kenya LOCATION (RIGHT) Alamkhali vil- lage Bangladesh I SEE HUMAN STORIES 44

  45. 45

  46. LOCATION Uttarakhand India I SEE HUMAN STORIES 46

  47. 47

  48. I SEE HUMAN STORIES 48

  49. LOCATION Indian Himalayas 49

  50. LOCATION Kakuma Refugee camp - Kenya I SEE HUMAN STORIES 50

More Related