1 / 13

Principles of Design

Principles of Design. PROPORTION. Size relationships found within an object or design Commonly we think of ratios Certain proportions create a more pleasing effect People prefer rectangles to squares (windows, rugs, picture frames, etc.)

Télécharger la présentation

Principles of Design

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript


  1. Principles of Design

  2. PROPORTION • Size relationships found within an object or design • Commonly we think of ratios • Certain proportions create a more pleasing effect • People prefer rectangles to squares (windows, rugs, picture frames, etc.) • Unequal divisions of space are preferred over equal divisions

  3. The Golden Section • Study by ancient Greeks • Dividing a line between 1/3 and ½ • Ratio of the larger segment to the smaller segment = ratio of whole line to larger segment 1/3 1/2 1/3

  4. The Golden Rectangle • Most visually satisfying rectangle- not too skinny, not too fat • Approximate golden rectangle pattern: 2,3,5,8,13 • Two consecutive numbers are close to a golden rec. 1 1.618

  5. SCALE • How the size of an object or space relates to human beings and to other objects or spaces in a design • Rooms and furnishings should be designed for the person who will use them

  6. BALANCE • Provides a feeling of equality • Occurs when the amount, size, or weight of objects on both sides of a center point is equal

  7. Symmetrical Balance • Arrangement forms on one side of an imaginary central line is the mirror image of the forms on the opposite side • Suggests rest and calm-more formal

  8. Asymmetrical Balance • Elements on either side of an imaginary central line are unmatched, but appear to be in balance • Informal • Consider apparent weight

  9. RHYTHM • Connected movement between different parts of a design • Can be created with texture, line, colors, or forms • Should not be overused • Examples: fabrics, quilt, folds in draperies

  10. Types of Rhythm • Repetition-repeating a pattern to help lead the eye from one point to another (ex. Color, design in flooring) • Radiation-lines radiate, or move outward, from a central point (ex. Chairs around a round table, small pictures surrounding a larger one) • Gradation-increasing or decreasing in size, color, or pattern (ex. Different sizes of candles)

  11. Types of Rhythm continued • Opposition-When lines come together to form right angles (ex. Square corners of a doorway, couch with the arms at right angles to the back) • Transition-When lines change direction by flowing in a curve, or when curved lines lead the eye from one object to another (ex. Arched doorways, a sofa with a back that curves in the arms)

  12. EMPHASIS • Center of interest, focal point • Could be one large piece or a grouping of smaller pieces • Should be dominant but not overpowering • Examples: large bouquet of flowers, stone fireplace, large cabinet, grouping of artwork

  13. UNITY & VARIETY • Unity-all the parts of a design are related by one idea • Gives a harmonious design • Items do not have to match! Similar characteristics are what matter (ex. Furniture with curved lines) • Variety-adds interest to room • Do not carry it too far!

More Related