1 / 45

World Music Party The cold & warm facts

World Music Party The cold & warm facts. 48 people 14 songs 14 artists (8 women, 6 men) 15 countries 17 emotions 7 languages (lyrics) 5 continents only 1 world . World Music Party : Part - 1. 7. 2. 1. 6. 3. 5. 4.

ling
Télécharger la présentation

World Music Party The cold & warm facts

An Image/Link below is provided (as is) to download presentation Download Policy: Content on the Website is provided to you AS IS for your information and personal use and may not be sold / licensed / shared on other websites without getting consent from its author. Content is provided to you AS IS for your information and personal use only. Download presentation by click this link. While downloading, if for some reason you are not able to download a presentation, the publisher may have deleted the file from their server. During download, if you can't get a presentation, the file might be deleted by the publisher.

E N D

Presentation Transcript

  1. World Music PartyThe cold & warm facts 48 people 14 songs 14 artists (8 women, 6 men) 15 countries 17 emotions 7 languages (lyrics) 5 continents only 1 world

  2. World Music Party : Part - 1 7 2 1 6 3 5 4

  3. Carribean Calypso/Salsa: Vamos Al CaribeTraditional (Spanish), 2005, “Welcome to the Carribean” Emoticon: Infectious

  4. Carribean Calypso/Salsa: Vamos Al CaribeTraditional (Spanish), 2005 (“Welcome to the carribean”) Calypso and salsa rhythms melt into one exciting and joyful party song. Calypso originated in Trinidad over one hundred years ago. The fruit of a convoluted history that involved multiple colonial powers and Africans imported to the Caribbean as slave labor, calypso has played a key role in the development of popular music through the West Indies and was one of the first internationally successful world music genres. 1/14

  5. Portuguese Fado : TransperanteMariza (Portuguese), 2005, “transparent” Emoticon: Uplifting Melancholy

  6. Portuguese Fado : TransperanteMariza (Portuguese), 2005, “Transparent” • Everyone has their own way of dealing with the blues. In Spain they sing flamenco, in Argentina they sing tangos, in Greece they sing rembetika, in America they sing the blues and in Portugal they sing fados. Like the best soul or blues music, fado really excels when it is performed by someone who can release pure feeling from all artificial fetters and ego-driven pretensions, allowing it the freedom to roam, and allow it to be raw, emotional and just a little dangerous. • It is Portugal’s distinctive genre, and has songs about loss, memories and hopes. It is the kind of music that one doesn’t just play or sing, bur more than anything else, one feels” 2/14

  7. Brazillian Jazz Mix: VoyuerGal Costa (Portuguese), 2005 Emoticon: Attitude

  8. Brazillian Jazz Mix: VoyuerGal Costa (Portuguese), 2005 “I feel like I’m in your living room,” Brazilian singer Gal Costa told a sold-out audience during one of 12 shows this spring at Manhattan’s Blue Note jazz club. Though she usually plays arenas and stadiums, Costa spent a week performing at one of New York City’s most intimate venues, which could explain the throngs of adoring fans gathered outside. Costa has just released Hoje, her cool-jazz interpretation of ballads by Brazil’s latest generation of songwriters.

  9. Brazillian Jazz Mix: VoyuerGal Costa (Portuguese), 2005, lyrics Voyeur, I go following you, In its dance, its slightness; To extend My eyes on you, And thus I go discovering the beauty; 3/14

  10. Tanzanian/Kenyan Folk: MalaikaMiriam Makeba (Swahili), 2006, “Angel” Emoticon: Angelic

  11. Tanzanian/Kenyan Folk: MalaikaMiriam Makeba (Swahili), 2006, Lyrics Angel, I love you angel What should I do, your lover I am defeated by wealth I don't have any I would marry you, angel Money is troubling my soul Little bird I always dream of you little bird 4/14

  12. Jewish Folk : Nasi El AlamoYasmin Levy (Ladino), 2005 Emoticon: Pining

  13. Jewish Folk : Nasi El AlamoYasmin Levy (Ladino), 2005, “I was born of love” • “If you like the sounds of foreign countries, odd atmospheres, & melodies that seem to come from other times, you wont be able to walk past this debut album of Yasmin Levy, 27 years old, from a small village somewhere between Tel-Aviv and Jerusalem. • And for many reasons. The first is that Yasmin sings in Ladino, an ancient form of Spanish. Second is, due to the cd’s character: romance, poems and cantigas - love songs of strong lyrics - that the charming Yasmin voice accompagned by violins, oud, percussions and flutes, transforms in time machines, that bring listeners into past old times. Romance & Yasmin is a journey that must be lived entirely…"

  14. Jewish Folk : Nasi El AlamoYasmin Levy (Ladino), 2005, “I was born of love” I came from nowhere I have no landscapes I have no homeland With my fingers, I can start a fire With my heart, I sing to you And my heartstrings throb I was born of love I was born of love 5/14

  15. Indian Alternative: KandisaIndian Ocean (Aramaic), 2003, “Grace” Emoticon: Sublime/Energetic

  16. Indian Alternative: KandisaIndian Ocean (Aramaic), 2003, “Grace” • In August 1971, two Indian musicians Ravi Shankar and Ali Akbar Khan were to perform a jugalbandi (duet) in New York, and according to Indian classical practice, they began tuning up on stage. As the musicians finished, they were greeted with a ripple of clapping which swelled into full-scale applause. • Good-naturedly, but with an edge, Shankar observed "if you appreciate the tuning so much, I hope you will enjoy the playing more". The story has been repeated enough times to have become a mantra, but the moral remains: dont travel in Indian music reading a western map.

  17. Indian Alternative: KandisaIndian Ocean (Aramaic), 2003, “Grace” • The song "Kandisa" is based on an ancient Indian Syrian Catholic hymn from Kerala (the southern most state in India) and translated literally means "grace." To know grace is one thing, but to feel its presence during that moment of unity between the band and the fans, when the room feels the rhythm and the melody emerges from everyone, singing the sound of suffering, of plight, of longing, this is the oneness, the magic, the grace of music”.

  18. British Parody: Every Sperm is SacredMonty Python (English), 1989 Emoticon: Hilarious/Crass

  19. There are Jews in the world. There are Buddhists. There are Hindus & Mormons, & then There are those that follow Mohammed, But I've never been one of them. I'm a Roman Catholic, And have been since before I was born, And the one thing they say about Catholics is: They'll take U as soon as you're warm. You don't have to be a six-footer. You don't have to have a great brain. You don't have to have any clothes on. You're a Catholic the moment Dad came Because, Every sperm is sacred. Every sperm is great. If a sperm is wasted, God gets quite irate. CHILDREN: (Repeat) Let the heathen spill theirs On the dusty ground. God shall make them pay for Each sperm that can't be found. CHILDREN: Every sperm is wanted. Every sperm is good. Every sperm is needed In your neighbourhood. British Parody: Every Sperm is SacredMonty Python (English), 1989

  20. MUM: Hindu, Taoist, Mormon, Spill theirs just anywhere, But God loves those who treat their Semen with more care. MEN:Every sperm is sacred. Every sperm is great. WOMEN: If a sperm is wasted,... CHILDREN:...God get quite irate. PRIEST:Every sperm is sacred. BRIDE and GROOM: Every sperm is good. NANNIES: Every sperm is needed... CARDINALS: ...In your neighbourhood! CHILDREN: Every sperm is useful. Every sperm is fine. FUNERAL CORTEGE: God needs everybody's. MOURNER #1: Mine! MOURNER #2: And mine! CORPSE: And mine! NUN: Let the Pagan spill theirs O'er mountain, hill, and plain. HOLY STATUES: God shall strike them down for Each sperm that's spilt in vain. EVERYONE: Every sperm is sacred. Every sperm is good. Every sperm is needed In your neighbourhood. Every sperm is sacred. Every sperm is great. If a sperm is wasted, God gets quite iraaaaaate! Monty Python (Lyrics), 1989 7/14

  21. World Music Party End Part - 1 Part II follows in 15 min ..

  22. World Music Party : Part - II 1 5 4 2 3 6 7

  23. Polish Klezmer: TimeKroke (Instrumental), 2000 Emoticon: Poignant

  24. Polish Klezmer: TimeKroke (Instrumental), 2000 • Charlie Gillett – “When played on BBC London Live’s Saturday Night, each song inspired at least one listener to phone in and ask, “What was that, and how can I get a hold of it? • In the case of ‘Time’ by the Polish trio Kroke, the number of callers was unprecedented, and for several weeks it was guaranteed to elicit flashing phone lights every time. It could have been the ticking clock that first drew attention, but the entire arrangement is both witty and haunting, and ambitious and unusual combination

  25. Polish Klezmer: TimeKroke (Instrumental), 2000 ‘Time’ is one of the best cuts on the disk. A ticking clock starts the number and continues throughout with a softly wailing accordion passing the melody along to the other instruments, a flute coming in late in the game, until it fades back to the ticking clock and ends with a series of birdcall-like sounds from the flute 8/14

  26. Mexican Mariachi : La FronteraLhasa (Spanish), “The Border”, 2004 Emoticon: Melancholic

  27. Mexican Mariachi : La FronteraLhasa (Spanish), “The Border”, 2004 • Even if you don't understand Spanish, you can't miss the point and the feelings of Lhasa’s songs. To say that Lhasa's songs lament would be an understatement, the pain comes out in her voice even if you don't understand Spanish. There is a mysterious quality to the songs, a spiritual quality, music from deep within her soul” • One of the strongest songs on the collection is "La Frontera" a classic mariachi ranchera melody that's striking in its simplicity. 9/14

  28. Caribbean Soca: Voices from the GhettoSinging Sandra (English), 1999 Emoticon: Dilemma

  29. Caribbean Soca: Voices from the GhettoSinging Sandra (English), 1999 • To define what took place at the Queen's Park Savannah, at the weekend as a mere show would be an injustice to the night's featured artiste, Singing Sandra. The night of course belonged to Sandra, who delivered what can only be described as an outstanding presentation that had folks singing, dancing and at one point invading the stage to hug and kiss her. • Near the end of the concert as Sandra sang "Voices From The Ghetto," while sitting on the steps of the stage, dozens of patrons left their seats and approached the stage to greet her. The police attempted to stop them, but Sandra instructed them to allow the people to approach her as they were her "brothers and sisters from the ghetto.

  30. Voices from the Ghetto, 1999Lyrics and often their tragic story brings a journalist glory. no wonder, since the day they born some call them rebels without a cause these social victims of unjust laws but yet they christen their heroes renegade desperadoes, forever knocking on heavens's doors …. hear me, still the music shatters the silence harmony to conquer the violence Big men run when cops approach Frightened for scraps with the cockroach (“cops”).. Crying, crying, crying, voices from the ghetto. (3) 10/14

  31. American Folk: Aquella Noche, Tish Hinojosa (Spanish), 2001 (’91) “That certain Night” Emoticon: Mellow

  32. American Folk: Aquella Noche, Tish Hinojosa (Spanish), 2001 (’91) “That certain Night” • Mark Donell - “With the demise of free form radio three decades ago, NPR remains one of the few lifelines to hearing new, interesting and diverse musical artists. So it was one day in the early eighties when my wife was driving and heard a voice that grabbed her and made her want to hear more. It was a young woman out of Texas by the name of Tish Hinojosa who possessed a clear voice, bilingual sensibilities and abilities and a fine melodic sense. Frankly Tish’s studio recordings just never grabbed me. I didn't get it...until I heard her live. Live I could hear that vibrancy, see the personality behind the songs, view her power on stage as a leader and artist. I was hooked.” 11/14

  33. Irish Traditional: Daily GrowingAltan (English), 2002 Emoticon: Ironic

  34. Irish Traditional: Daily GrowingAltan (English), 2002 The trees, they grow high, and the leaves, they do grow green Many is the time my true love I've seen Many an hour I watched him all alone He's young but he's daily growing Father, dear father, you've done me great wrong You have married me to a boy who is too young I am twice twelve and he is but fourteen He's young but he's daily growing Daughter, dear daughter, I've done you no wrong I have married you to a great lord's son And he will be a man for you when I am dead and gone He's young but he's daily growing Father, dear father, if you see fit We'll send him to college for another year yet I'll tie a blue ribbon all around his head To let the maidens know that he is married

  35. Daily Growing, 2002 : Lyrics One day I was looking over my father's castle wall I spied all the boys playing with a ball And my own true love, he was the flower of them all He's young but he's daily growing And so early in the morning at the dawning of the day They went into a hayfield for to have some sport and play And what they did there she never would declare But she never more complained of his growing At the age of fourteen he was a married man At the age of fifteen, the father of my son At the age of sixteen, his grave, it was green And death had put an end to his growing I'll buy my love some flannel, I'll make my love a shroud And every stitch I put in it, the tears, they'll pour down Amd every stitch I put in it, how the tears, they will flow Cruel fate has put an end to his growing 12/14

  36. Ghana Traditional : Tue TueRosas/Gomez (No Language), 2003 Emoticon: Childish

  37. Ghana Traditional : Tue TueRosas/Gomez (No Language), 2003 • “I know that a CD has connected with my 7-year-old son when he plays it over and over again. This was definitely the case with "World Party." My wife and I finally had to ask him to choose something else to play after the CD had gone through its fourth playing in repeat mode. This went on for about three days straight.” • “I am always interested in trying to figure out what the attraction is and why a certain recording resonates so well with him. In this case I'm certain it is the variety of infectious rhythms that are at the heart of many of these songs. It is not the lyrics, because they are not in English. It may also be the very singable melodies, both found in the singing and the instrumentation, because they are so catchy.”

  38. Ghana Traditional : Tue TueRosas/Gomez (No Language), 2003 Ghana, situated in West Africa has nine languages, of which English is the official one. “Tue Tue” however does not belong to any one language but is a game of words. The children stand in a circle, sing the song, and clap with their hands alternating from the knees to palms of other kids in the circle. 13/14

  39. Balkan Music: American DreamersGoran Bregovic (English), 2003 Emoticon: Surreal

  40. Balkan Music: American DreamersGoran Bregovic (English), 2003 • “Goran Bregovic is playing The Barbican Hall," I was told. Four Bulgarian folk vocalists, dressed in 'traditional' garb, appeared followed by Goran Bregovic, looking resplendent in a white suit, with his gipsy brass band. The applause was out of this world as he played. • One girl jumped on the stage and began dancing, in the process causing the security guard real difficulties in removing her. The audience went ecstatic; the third song had the audience on its collective feet. people were jumping with joy and the joy was evident in their smiles. A few rows in front of us people were taking pictures of the audience: perhaps they had never seen The Barbican Hall looking like this”

  41. Balkan Music: American DreamersGoran Bregovic (English), 2003 For 15 years, he'd smooth down the road between Mexico and Arizona,and every morning he'd be out there looking for footprints in the dirt. But my father always said that work was like a hat you put on your head. And even without pants, you didn't have to be ashamed of your ass;so long as you put your hat on 14/14

  42. World Music Party End Part - II

  43. Backups

  44. Indian Alternative: KandisaIndian Ocean (Aramaic) • “It was like a dream. I was Columbus looking for the East Indies. And I thought I had found it. But I was still in Seattle, (watching the Indian Ocean concert). The concert felt like a homecoming. The room became a court and the fans were devout subjects, singing along and dancing fervently through the entire two and a half hour show. Nevermind that Indian Ocean cull their lyrics from a variety of languages, their fans sing along, harmonizing in Hindi, English, Urdu, Kashmiri, Bengali, Sanskrit, a ½ dozen other Indian languages and even Aramaic.” • In fact, the song "Kandisa" is based on an ancient Indian Syrian Catholic hymn from Kerala (the southern most state in India) and translated literally means "grace." To know grace is one thing, but to feel its presence during that moment of unity between the band and the fans, when the room feels the rhythm and the melody emerges from everyone, singing the sound of suffering, of plight, of longing, this is the oneness, the magic, the grace of music”. • Sundar: Hear this song in full blast 6/14

  45. Portuguese Fado : TransperanteMariza (Portuguese), 2005 • Everyone has their own way of dealing with the blues. In Spain they sing flamenco, in Argentina they sing tangos, in Greece they sing rembetika, in America they sing the blues and in Portugal they sing fados. Like the best soul or blues music, fado really excels when it is performed by someone who can release pure feeling from all artificial fetters and ego-driven pretensions, allowing it the freedom to roam, and allow it to be raw, emotional and just a little dangerous. • It is Portugal’s distinctive genre, and has songs about loss, memories and hopes. It is the kind of music that one doesn’t just play or sing, bur more than anything else, one feels” 2/14

More Related