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Late Northern European Gothic

Late Northern European Gothic. By Tristan, Vanessa, Shaina , & Jessica. The Well of Moses by Claus Sluter , Chartreuse de Champmol (monastery) (Dijon, France) 1395-1406.

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Late Northern European Gothic

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  1. Late Northern European Gothic By Tristan, Vanessa, Shaina, & Jessica

  2. The Well of Moses by Claus Sluter, Chartreuse de Champmol (monastery) (Dijon, France) 1395-1406

  3. Philip the Bold (a Duke of Burgundy, was very supportive of the arts)*this base supported a Crucifixion group above*wealth of descriptive information revealed (the promise of everlasting life as Christ’s “blood” washes over the prophets and cleanses them) *naturalism and differentiation in the textural surfaces.

  4. The Wilton Diptych, c. 1395, tempera on wood panel

  5. Limbourg Brothers. January, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminationCreated by the brothers as an advanced version of illuminated manuscripts. It displays objects of wealth

  6. Limbourg Brothers. February, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminationbees, sheep and a dovecote(structure that houses doves or pigeons)

  7. Limbourg Brothers. April, from Les Tres Riches Heures du Duc de Berry, 1413-16, illumination

  8. Limbourg Brothers. May, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminationimages of the aristocracy

  9. Limbourg Brothers. June, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminationidentifiable architecturelaborers sometimes referred to as ‘Jacques Bonhomme’ as a derogatory term for the French peasants

  10. July • Works like this illustrated the relationship the powerful had with the peasantry. • The relationship was, at best, civil but peasants rose up against the elite in the late 14th century in some areas.

  11. Limbourg Brothers. August, from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminationpeasants swimming in the nude

  12. Limbourg Brothers. St. Michael Battling the Dragon of the Apocalypse above Mont. St. Michel and Temptation of Christ , from Les Tres Riches Heures du Duc de Berry, 1413-16, illuminations

  13. Huntsmen Exercising and Brushing Dogs, from Livre de la chasse (written by Gaston Phebus), c. 1410, illumination

  14. Melchior Broederlam. Outer wings of the Retable de Champmolfrom the Chapel of the Chartreuse de Champmol (Dijon, France), installed 1399

  15. Melchior Broederlamtwo different architectural styles attempt to render deep space on a two-dimensional surface

  16. Attributed to Robert Campin (also known as the Master of Flamalle) Virgin and Child before a Firescreen, c. 1425, panel

  17. Master of Flemalle (Robert Campin). Merode Altarpiece, c. 1425-1428, oil on wood

  18. Robert Campin (Master of Flemalle)/ focus on textures and surfaces/ a prosperous middle-class interior/ Northern use of symbolism/ absence of halos

  19. Joseph and his mousetrap/ detailed view of a Flemish town

  20. kneeling donors/ concepts of truth and reality in Flemish painting

  21. Merode’s Altarpiece

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