SlideServe
Menu
Préférences
© SlideServe · v2026

Unmasking Human Nature: Shaw's "Caesar and Cleopatra" in Comedy

gita avatar
11 diapositives · 266 Views · Aug 10, 2014

Bernard Shaw's "Caesar and Cleopatra" serves as a compelling exploration of human behavior, exposing the weaknesses and vices inherent in society. The play navigates the complex relationship between appearance and reality, employing a multifaceted plot filled with obstacles and misunderstandings. While addressing serious themes, it ultimately delivers comic relief rather than catharsis. Shaw, a master of wit, combines elements of high and low comedy to engage and instruct audiences, reflecting on societal norms through the lens of humor.

Unmasking Human Nature: Shaw's "Caesar and Cleopatra" in Comedy - slide 1
01 / 11Unmasking Human Nature: Shaw's "Caesar and Cleopatra" in Comedy
1 / 17

Télécharger la présentation

Unmasking Human Nature: Shaw's "Caesar and Cleopatra" in Comedy
Une image / un lien ci-dessous est fourni (tel quel) pour télécharger la présentation

Politique de téléchargement : le contenu du site vous est fourni TEL QUEL pour votre information et votre usage personnel ; il ne peut être vendu, concédé sous licence ni partagé sur d’autres sites sans l’accord de son auteur.Le contenu vous est fourni TEL QUEL, pour votre information et votre usage personnel uniquement. Téléchargez la présentation en cliquant sur ce lien. Lors du téléchargement, si vous ne parvenez pas à télécharger une présentation, l’éditeur a peut-être supprimé le fichier de son serveur.Pendant le téléchargement, si vous ne parvenez pas à obtenir une présentation, le fichier a peut-être été supprimé par l’éditeur.

F I N

Plus de contenu associé

Transcription de la présentation
  1. COMEDY Caesar and Cleopatra By Bernard Shaw

  2. Focuses on people’s social behaviour. • Exposes and unmasks human weaknesses and vices. • Explores the discrepancy between the seeming and the real. • Starts with a problem, ends with its resolution. • Depends on a complicated plot (obstacles, confused identities, misunderstandings). • Instructive by nature and purpose. Comic relief instead of catharsis COMEDY

  3. History of Comedy • Originated in Greece, 4th cent. BC. • First comedies (“Old Comedy”) were bawdy social satires. Aristophanes, “the father of comedy.” • Later, “New Comedy” formed the love-meets-obstacles model.

  4. Main Genres of Comedy • Farce (ex., commedia del arte) • Romantic comedy • Comedy of humours • Comedy of manners These types can be mixed together within one dramatic work.

  5. Types of Comedy • “Low comedy” appeals to baser sense of humour (farce, slapstick comedy). • “High comedy” appeals to intellect (romantic comedy; comedy of humours; comedy of manners).

  6. Brief Historyof English Comedy • Farcical elements in medieval mystery and morality plays (The Second Shepherds’ Play); • Renaissance comedy (Shakespeare, Ben Jonson); • Restoration comedy of manners (William Congreve, Aphra Behn).

  7. Brief Historyof English Comedy • 18th cent. sentimental comedy (Richard Steel) and comedy of manners/humours (Oliver Goldsmith); • 19th cent. comedy of manners (Oscar Wilde); • 20th cent. black/dark/absurd comedy (Samuel Beckett, Harold Pinter).

  8. Elements of Comedy • Slapstick humour • Situational humour; qui pro quo. • Satire. • Verbal humour.

  9. George Bernard Shaw (1856-1950) • Irish playwright, writer, critic, journalist, social activist. • The only person to have received both the Nobel prize and an Oscar. • Famous for “Shavian” witticisms. • Co-founded the London School of Economics. • Tried to promote a reform of English spelling.

  10. What do we knowabout Cleopatra and Caesar?

  11. Caesar and Cleopatraby G.B.Shaw(1898) • The prologues • Language • Role of stage directions • Themes • Characters • Anachronisms • Intertextual references • Humour