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William Butler Yeats: The Evolution of a Nobel Laureate Poet and Playwright

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25 diapositives · 369 Views · Nov 05, 2014

William Butler Yeats (1865-1939), Nobel Prize in Literature (1923), co-founder of the Irish Theatre, is celebrated for his significant contributions to Irish literature. He wrote plays rooted in Irish legends and themes of mysticism, with notable works such as "The Countess Cathleen" and "Cathleen ni Houlihan." Yeats’s poetry reflects three distinct phases—early influences of Romanticism and Symbolism, a middle period focusing on real-life complexities, and a mature phase emphasizing nostalgia and artistic reflection. His legacy continues to influence poets and playwrights today.

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William Butler Yeats: The Evolution of a Nobel Laureate Poet and Playwright
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  1. William Butler Yeats 1865 - 1939

  2. Nobel Literature Prize in 1923 Together with Lady Gregory he founded the Irish Theatre, which was to become the Abbey Theatre, and served as its chief playwright until the movement was joined by John Synge. His plays usually treat Irish legends; they also reflect his fascination with mysticism and spiritualism. The Countess Cathleen (1892), The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), The King's Threshold (1904), and Deirdre (1907) are among the best known.

  3. Yeats poetry Yeats's poetry can be seen as consisting of three phases: Early Middle Late

  4. Early poetry In Yeats's early poetry, up to the volume In the Seven Woods (1904) We can see the influences of English Romanticism, the Pre-Raphaelite Brotherhood and Symbolism Two further influences were the occult and the world of the Celtic twilight poets of the 1890s

  5. English Romanticism

  6. Pre-Raphaelite Brotherhood

  7. Symbolism

  8. Yeat‘s goals Yeats saw himself as writing for Ireland and out of an Irish poetic tradition However, his Ireland is the shadowy world of Celtic legend, rather than a contemporary reality "The Song of Wandering Aengus" captures the essence of Yeats's early poetry

  9. Celtic Legend

  10. Middle period poetry Yeats's middle period poetry can be read in the volumes from The Green Helmet (1910) to Michael Robartes and the Dancer (1921) Subject matter and attitude change Love is dealt with in a more direct, questioning manner Yeats still writes about Ireland, but it has become a real Ireland parts of which irritate or puzzle him by their complexity

  11. Puzzling Ireland

  12. Middle period development He now writes about real events, such as the death of Robert Gregory; and real people (Lady Gregory) and real places (Coole Park) With these changes comes a noticeable change in style from the meditative rhythms of the earlier verse to the more muscular rhythms and tighter syntax of this middle period We can hear this new distinctive voice in the two poems: "No Second Troy" and "Easter 1916"

  13. Final phase The final phase of Yeats's poetry begins with "The Tower" (1928) Yeats constructs himself as a very self-conscious bard in poems like "The Tower" and "Sailing to Byzantium"

  14. Into old age… He publicly celebrates Ireland's culture which he sees living in Coole Park and Lady Gregory and which for him become a symbol of a nostalgically remembered Anglo-Irish superiority He contemplates old age and its difficulties, and meditates on the function of art in life

  15. Final poetic phase Yeats was also an Irish Senator, reflected in the poem: "Among School Children„ and "Sailing to Byzantium„ They can serve as examples of verse from the last phase of Yeats's poetry

  16. Thank you for your attention Any questions?