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ESSAY EXERCISE 1.

ESSAY EXERCISE 1. Q: ‘One must look to the past to create the future. ’ Discuss this statement with reference to artists and their work. It was during this Renaissance period that the idea of both linear and atmospheric perspective in Painting developed.

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ESSAY EXERCISE 1.

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  1. ESSAY EXERCISE 1. Q: ‘One must look to the past to create the future. ’ Discuss this statement with reference to artists and their work.

  2. It was during this Renaissance period that the idea of both linear and atmospheric perspective in Painting developed. Piero Della Francesca, ( Italian,1415 – 1492) The Flagellation of Christ,1455,Oil and tempera on panel, 59 x 82 cm

  3. Manet (French 1832-1883) Olympia, 1863, oil on canvas, 131 cm × 190 cm) Execution of Maximilian, 1868.

  4. Marcel Duchamp (France 1887 – 1968) Nudedescending a staircase No. 2, 1912, oil on canvas, 147 x 89cm Juan Gris, (Spanish, 1887 – 1927) Breakfast, 1914, collage, crayon and oil on canvas, 80 x 59cm. Picasso, Still life with chair caning, 1912.

  5. Jackson Pollock, No 11 (Blue Poles), 1952, 212 x 488cm, paint and glass on canvas. Mark Rothko, Untitled, oil on canvas, 207 X 167cm, 1949.

  6. Photography – changes everything. Nadar, portrait of Edourard Manet, 1870

  7. Alessandro Moretto, (Italy, 1478 /1518 –1554) Christ and the woman of Samaria, oil on canvas , 38 x 31cm Traditionally art had a moral purpose. History subjects were used –Bible stories or Myths or ancient heroic figures.

  8. Daumier, The Laundress, ? 1863 Edgar Degas, The Dance Class 1875 Degas, Waiting, 1882

  9. Gustave Courbet, Burial at Ornans, 1849-50 Stonebreakers, 1849-50

  10. Examples of Friezes. Courbet used the Style of the Frieze in his Burial at Ornans To indicate that the funeral was an Important subject even though it was A contemporary one, not a history Subject.

  11. Tom Roberts, Shearing the Rams, 1890 Arthur Streeton, Fire’s on!, 1891.

  12. Claude Monet, Woman with a parasol, 1875

  13. Not all 19th century art was interested in contemporary culture… Fernand Khnopff(Belgian,1858 – 1921) The caresses, 1896, oil on canvas, 51 x 151cm

  14. Gustave Moreau (French, 1826 –1898) The Apparition, 1876, watercolour on paper, 105 x 72cm

  15. Edvard Munch (Norwegian, 1863 – 1944) The Scream, 1893, oil, tempera & pastel on canvas, 91 x 74cm. Kathe Kollwitz, (German 1867-1945), Woman with dead child, 1903 etching, 42 x 48cm,

  16. Enst Ludwig Kirchner, Self Portrait,, 1920 Ernst Ludwig Kirchner, Portrait of a sick man, 1918

  17. Otto Dix, Card-playing war cripples, 1920 Otto Dix (Germany 1891 – 1969)Der Krieg, (The War), Plate 6 of 50, 1924,etching & aquatint 20 x 29cm

  18. Max Ernst, Little machine constructed by MinimaxDadamax in person, pencil & ink frottage, watercolour, gouache, 1919-20 Hugo Ball at Café Voltaire with his nonsense poem And his nonsense costume, 1916

  19. Hans Arp, Collage with squares arranged according to the laws of chance, collage, 48 x 35cm, 1916-17 Hans Arp, Automatic drawing, ink on paper, 42 x 54cm, c. 1917

  20. Victor Brauner, (Romania, 1903-1966) Loup-table (Wolf-table), table and fox parts, 1939-47 Rene Magritte, (Belgian,1898-1967) The False Mirror, oil on canvas, 1928, 54 x 80cm

  21. Games of chance (as in Dada) were also used extensivelyby the Surrealist group.. Exquisite Corpse was a game where someone draws something or writes something, then folds over the paper and passes it to the next person, who can’t see what has been done, but must create something. Then they fold their bit over, and so on. The total sum of the image is a collaboration by the group who couldn’t see each others work Andre Breton, Tristan Tzara, & Greta Knutson, Landscape: exquisite corpse, c. 1933, coloured pencil on paper, 24 x 31cm

  22. Jackson Pollock, No 11 (Blue Poles), 1952, 212 x 488cm, paint and glass on canvas. Mark Rothko, Untitled, oil on canvas, 207 X 167cm, 1949.

  23. Jaques-Louis David (French,1748 – 1825) The oath of the Horatii, 1784, oil on canvas, 326 x 420cm Jean Auguste Dominique Ingres (French, 1780 – 1867 ) The Valpincon Bather, 1808, Oil on canvas , 146 cm × 97 cm

  24. Antonio Canova (Italy, 1757-1852) The Three Graces, marble, c. 1815, 173 X 97 X 57 cm.

  25. Edgar Degas (French, 1834–1917) , Little dancer of 14 years, originally wax with clothes, 1865 -1881, approx. 108cm,cast in bronze in about 1921 after his death.

  26. Auguste Renoir (French,1841-1919) Luncheon of the boating party, 1880-81, oil on canvas, 130 x 176cm Claude Monet, Impression: Sunrise, 1872

  27. Enst Ludwig Kirchner, Self Portrait with Model, 1920 Ernst Ludwig Kirchner, Portrait of a sick man, 1918

  28. Edvard Munch (Norwegian, 1863 – 1944) The Scream, 1893, oil, tempera & pastel on canvas, 91 x 74cm. Kathe Kollwitz, (German 1867-1945), Woman with dead child, 1903 etching, 42 x 48cm,

  29. Salvador Dali, Soft self-portrait with bacon, 1941, oil on canvas, 61 x 51cm The persistence of memory, 1931, oil on canvas, 24 x 33 cm

  30. Willem de Kooning (U.S.1904-1997) ,Pink Angels. c. 1945. Oil and charcoal on canvas, 132 x 102 cm. Woman V, 1952-3

  31. Kathe Kollwitz (German 1867-1945) Death seizes a woman, 1924 The Widow, woodcut, 1922.

  32. Self-portrait, 1923-4 Edvard Munch (Norwegian, 1863 – 1944) Madonna, 1894.

  33. Mark Rothko, 1957 # 20, 1957

  34. Juan Gris, (Spanish, 1887 – 1927) Breakfast, 1914, collage, crayon and oil on canvas, 80 x 59cm. Picasso, Still life with chair caning, 1912.

  35. Hannah Hoch (German, 1889-1978) Love, photomontage, 1931

  36. Raoul Hausmann, (Austrian, 1886-1971) The spirit of our time, assemblage, 33cm high, 1921 Pablo Picasso, Guitar 1914 Guitar, 1912

  37. Big electric chair, 1971 screen print Based on newspaper image. Andy Warhol, Marilyn, screenprint series based on newspaper image, 1967 From last session….Screen printing: http://www.youtube.com/watch?v=wogKeYH2wEE

  38. Roy Lichtenstein, Crying Girl, 1962, painting based on comic book image.

  39. Jackson Pollock used new materials within his artworks – liquid paints; house paints, broken glass; sand. Also the techniques he used to apply the paint were new: hardened brushes; sticks; turkey-baster syringes; and famously, DRIPPING the paint from the can onto the canvas, which was outrageous at the time. He took his paintings down from the easel and laid the canvas on the floor. This meant he could approach the canvas from any direction and use his body in new ways. He felt he ‘entered into’ the painting. This was a huge break with Western tradition. Jackson Pollock, No 11 (Blue Poles), 1952, 212 x 488cm, paint and glass on canvas.

  40. Rosalie Gascoigne,(NZ.1917 – 1999) Suddenly the lake, 1995, formboard plywoods, galvanised iron sheeting, acrylic paint on composition board; four panels overall (approx.) 131 x 361 x 8 cm RosalieGascoigne (NZ.1917 – 1999) Poplars19, 1996-97,linoleumon paintedwoodwithretro-reflectivestrip,60 × 62cm. A photo of poplars.

  41. Drawing, 1950 RK982, 1968-2001 Robert Klippel(Aust 1920-2001) Australian sculptor. Used found objects and rubbish to create his earlier works; later works were in bronze but LOOKED as though They were created out of found objects. These works are not OF anything. They are Just objects in themselves – note the titles, Deliberately not telling any story about the work. Some Ab Ex work was like this. No. 753, 1989

  42. Joseph Kosuth, Art as idea as idea (water), Photocopy on board, 1966.

  43. Barbara Kruger, I shop therefore I am, 1980s, photocopy. Barbara Kruger, You invest in the divinity of the masterpiece, 1982, photocopy.

  44. Guerrilla Girls Public Service Announcement, 1980s, poster Marie Mcmahon, Pay the Rent, screenpint Poster, 1981-2

  45. John Baldessari, (US b. 1931) I will not make any more boring art, lithograph, 1971, 57 x 76cm Piero Manzoni (Italian, 1933-1963) Artist’s Shit no. 14,1961,

  46. Yoko Ono, Cut Piece, 1965 Jill Orr, Bleeding Trees, performance 1979

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